“Railings and Fog, Battery Spencer” — Fog at the historic Battery Spencer, Marin Headlands
There are old forts and batteries all over the West Coast and especially around the San Francisco Bay Area. Many of them have long histories, though we tend to associate them with World War II, the most recent time when the country through they might be put to use. I know of a number of these sites, but I’m most familiar with those in the Marin Headlands, across the Golden Gate to the north of San Francisco. If you have visited a particular and iconic overlook of the famous bridge you have likely been near to this place.
It is one thing to visit these spots on a sunny day when they are overrun with visitors. But if you go early on a cold and foggy morning you may bet a better sense of what it might have been like to be stationed at one of these sites. When I visited on this fogged-in morning, I was attracted by the relationships and angles of the railings.
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Winter dusk light on the Pacific Ocean near the Marin Headlands
This is a photograph from all the way back in January, when we had driven north across the Golden Gate with no particular plan in mind, but perhaps thought about making some photographs. We had been in San Francisco for some other purpose, had some time, and figured we use it by crossing the bridge. By the time we ended up north of the bay, we discovered that the day was going to end very soon, and that we would run out of light. Yes, we were not really prepared! We quickly got back to the car and headed to a familiar iconic location, the Conzelman Road area of the Marin Headlands, from which panoramic views of the entrance to San Francisco Bay are available.
When we arrived I was initially not very excited about the photograph potential. I know this probably sounds odd to some who have longed to see that view back toward San Francisco, or who have perhaps only seen it once or twice. But I pass this way fairly often, and after a while the novelty of a typical day here wears off and I begin holding out for more special conditions. So where we stopped I did not initially take out my camera gear — instead I simply played tourist and enjoyed the spectacular scene. However, as I looked at it I began to notice a few things that seemed interesting. At first there were some light beams coming across the dark land at the lower left, though they are no longer really visible in the photograph. They I began to notice the turbulent patterns on the surface of the water passing through the Golden Gate as the tide turned. And then I could see that there was going to be some interesting color in the winter sky above the ocean. So, in the end, I did get the camera out to make a few photographs.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Ocean View Trail traverses a grove of young trees, Muir Woods National Monument
First let me get a few preliminaries out of the way. Despite the title of this photograph, there I no “ocean view” here, and despite hiking a good distance up this trail I never saw one — perhaps due to the fog but also to never getting high enough above the valley or out of the trees. Second, and perhaps of more interest to some who use Canon equipment, I had a chance to work with the new Canon EF 16-35mm f/4 L IS lens for the first time on this shoot. I’ll have more to say about that in a separate post, since I know that quite a few folks are interested in this lens. All I’ll say on that technical subject here is that I was not disappointed! (Link goes to site sponsor B&H Photography.)
The conditions on this morning were those of a typical San Francisco summer day — in other words, it was foggy! There are, at least from my point of view, significant advantages to this. It can be quite warm in Northern California this time of year, especially if you get away from the coast, so the cool coastal fog is almost always a welcome relief. The fog also softens the light, and when shooting in a forest like this one that is often quite important — brighter sunlight can send light beams to the forest floor that make for very wide dynamic range and a harsh effect. And, not insignificantly, the fog means that this photographer doesn’t have to get up quite so early to have this wonderful, soft light. This trail branches off from the very popular (absurdly popular at the wrong times on the wrong days) main trail up the valley of Redwood Creek, with its easy access to the redwood trees. The Ocean View trail climbs, steeply at times, at first through redwoods and then at times through more open vegetation. In this section all of the trees appear to be very young and packed together closely. I liked the patterns of their dense trunks and also the slight glow of light on the trail.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands
How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)
We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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