Trillium plants beneath the redwood forest canopy at Muir Woods National Monument.
This is another of the previously overlooked photographs from a few years back, this time from Muir Woods National Monument in the Golden Gate National Recreation Area. I visit there frequently, and on this occasion I arrived just after the bloom of the trillium flowers had finished, but when the plants were still growing strong.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Panoramic photograph of light transitioning to deep shade in a redwood grove near Hillside Trail at Muir Woods National Monument, California.
I just had the morning free on this day so I was up early to head to Muir Woods National Monument in the Golden Gate National Recreation Area north of San Francisco. I got there so early that I snagged the first parking space closest to the park center. (Those who know the park and the crowds it draws, understand the significance of that achievement!)
I walked up the usual trail into the main grove with several photo ideas in mind. One of them was to do a bit more work on my idea of creating very wide and high quality panoramas that include the redwood groves, and I was thinking about trying at least one from an elevated location where I could shoot straight on at the sections of the tree trunks some yard above the ground. With this in mind I eventually headed up the “Hillside Trail” just beyond the old Bohemian Grove location, where I found several places that would give me the perspective I was looking for.
This photograph was made not far from the start of the trail, and I was perhaps 20-30 feet higher than the bottom of Redwood Creek Canyon. One thing I like about this scene is the transition from a bit of open, sunlit forest at the very far left, through the grove of redwood trees and the massive vertical forms of their trunks, and on to the softer and darker area of deciduous trees on the right side.
The photograph is a stitch of six 21mp photographs shot in vertical format. The resulting image has a tremendous amount of detail (which is obviously not visible in small web jpg) and should be printable with good results at very large sizes – at least ten feet wide.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A wide panoramic view of morning light in a dense redwood grove at Muir Woods National Monument, California.
Up next in the stitched panorama parade… a photograph make in the vicinity of Bohemian Grove at Muir Woods National Monument in the Golden Gate National Recreation Area, California. This grove is high on the list of popular places in the central and well-known section of the park, and the loop trail that many visitors hike travels right through it.
There are, it seems to me, a huge number of ways to photograph these very tall trees. Interesting effects of light filtering down from above are often a possibility. There are lots of small subjects that can be shot close up. But their sheer height is often difficult to capture. You can shoot straight up, but that creates some issues. You can (and I have) shoot in vertical format to try to include the vertical size. You can try to shoot from further back, but then the scale of the trees diminishes – plus it is very hard to get a clear line of site on these trees from any distance… unless, perhaps, you are at the edge of an area that has been logged.
So, I’ve been thinking about shooting very wide panoramas of groves of parallel vertical forms of the massive trunks. I think that this has two effects that work for me. First, when you stand before these trees and look around you mostly are seeing just the lower sections of the trees – so for me this depiction is true to the experience of being in the forest. Second, the fact that you cannot see the full height of the trees doesn’t mean that you aren’t aware of it! Focusing on these massive trunks might cause you to project the rest of the trees and the great height that isn’t included within the frame. (This isn’t the first time I’ve done this, and I’m certainly not the first person to do it.)
By the way, because the image is stitched from multiple high-resolution full-frame images, it has the potential to be printed very large at some point.
Morning light slants though the trunks of tall redwood trees near Bohemian Grove, Muir Woods National Monument, California.
I was surprised by somewhat sunny conditions on this mid-April visit to Muir Woods National Monument north of San Francisco, California. When I left my home in the South Bay very early in the morning it was quite cloudy, and the forecast was for even cloudier (and more persistently cloudy) conditions north of the Golden Gate Bridge. But as I drove through the City the clouds cleared to the north and by the time I was across the Golden Gate it was almost clear, with just a bit of nice high cloudiness to diffuse the light a bit.
I arrived at Muir Woods early enough that I got a parking spot in the closest lot. (Those who visit the place often and who are familiar with the crush of tourists later in the day understand what this means… ;-) As I usually do, I wanders slowly up the trail alongside Redwood Creek, taking in as much of the scene (visual, auditory, olfactory, etc.) as I looked for photographs. Eventually I made it to the bridge (Bridge #2) that crosses the creek just above the old Bohemian Grove. This is a spot where I often photograph if the crowds aren’t too bad – there is a lot to see right here! There are some deciduous trees whose leaves can catch the filtered light in interesting ways; the creek flows through, in places with ferns right down to the waterline; and there are lots of very tall redwood trees. I’ve been working on some photographs in landscape orientation that show groups for the trees, focusing primarily on their massive and parallel trunks – in fact, one from the series on this visit consists of a stitch of something like five horizontal frames. This one is more conventional and is a single exposure.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
