Tag Archives: grass

Island With Trees, Thinning Fog

Island With Trees, Thinning Fog
Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

Island With Trees, Thinning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Evening

Wetlands Evening
Trees, plants, and a few birds under a bank of clouds above San Joaquin Valley wetlands

Wetlands Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees, plants, and a few birds under a bank of clouds above wetlands

The process of bird-photography, at least as I know it, is perhaps not quite what people who don’t photograph this subject might imagine. The actual practice and experience varies from photographer to photographer and, no doubt, from place to place. However, I’d be willing to bet that many people would be surprised at how much not-photographing goes on! There are amazing moments when we come upon a special scene, when a huge flock of geese lifts off, when we get close to a raptor, when the light and sky do something astonishing. Then there are all the other moments, and they form the majority of the experience. The birds are somewhere else. They are just a bit too far away. The light goes flat. It rains. And so on.

The fact of the matter is that in order to photograph those periodic extraordinary moments, you have to spend a lot of time just being there. If really special stuff happens, say 1% of the time, you’ll increase your odds of experiencing it if your base is 100 hours rather and one. Of course, that also means that you’ll increase the number of slow hours when not much happens. Be ready. Bring a book. Take a nap. Wander a bit. And sometimes take a look at other subjects, like the still and quiet grasses growing in a shallow pond beneath winter skies, even though there aren’t a whole lot of birds there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Marsh

Winter Marsh
Skeletal trees and dormant grasses in a winter San Joaquin Valley marsh

Winter Marsh. © Copyright 2018 G Dan Mitchell – all rights reserved.

Skeletal trees and dormant grasses in a winter marsh

We celebrated New Year’s Day as we have for the past few years — meeting before dawn a group of friends and photographers out in the wintry California Central Valley to greet the literal dawn of the new year. We arrived before sunrise, spent the first few hours making photographs, then gathered for a morning champagne toast and shared snacks and stories. After lunch we went back into the field to photograph birds and the landscape until it was so dark that we could barely see one another by the light of the rising full moon. Great times!

While most of my photography on such trips and in such places at this time of year involves birds, occasionally I photograph other things in this valley. During the late morning hours we all felt that need for a walking break. (Most bird photography involves a lot of standing and sitting around.) We wandered out on a trail through a marsh, I got started a bit later than the group. I took only a small, handheld camera with a single lens, not thinking there would be much to photograph. But it was quiet, a gentle breeze moved the grasses, and soft light shone through the hazy atmosphere, so I stopped to make a few photographs of this peaceful and almost silent landscape of trees, grasses, and water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Stream, Evening

Meadow, Stream, Evening
A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

Meadow, Stream, Evening. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

This photograph is the final one (for now, at least) in a series that takes me back to late summer, high in the eastern Sierra Nevada, base-camped for over a week with friends and extensively photographing the surrounding area. A group of us does this almost every summer, so a good thing is made even better through the combination of time devoted to beautiful photographic subjects, time spent in these stunning places, and time spent with good friends. We say we are there to photograph – and we certainly are! — but the truth is that we also spend a lot of time hanging out, talking, and just being.

I made the photograph on the last evening before our planned departure the next day to return to what passes for the real world. The location is a meadow right below our campsite, which was hidden in trees up on the hill of an old moraine. Strangely, even though we were camped right next to this wonderful spot I had not really focused my attention on photographing it, often instead wandering off to more distant subjects. On the final days of the trip it occurred to me that I should finally spend some time in this spot right in the neighborhood! So, late in the day on the final evening of the trip, off I went to walk slowly along the edge of “our” lake, crossing small inlet streams and traversing the surrounding meadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.