Tag Archives: grove

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Escalante River Canyon Bend

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Escalante River Canyon Bend
The Escalante River rounds a bend as it descends.

Escalante River Canyon Bend. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Escalante River rounds a bend as it descends.

If this photograph looks familiar, that may be because it is the landscape orientation presentation of a scene I shared a few weeks ago. The Escalante River and the remarkable national monument (which we hope is soon restored to its original boundaries) through which it flows are beautiful. This beauty takes many forms — the quiet of a river bend deep in the canyon, the dry and almost. barren uplands from which the canyon is invisible, and a few grand and open scenes like this one.

Much of the canyon is difficult to access, and walking to and through it is ideal. But on this day we were driving between Escalante and Boulder, and when we crossed the river here clouds were breaking up the sun and alternating bands of light and shadow were moving across the early autumn landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspen Groves, Evening

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Aspen Groves, Evening
Autumn aspen groves at dusk on Boulder Mountain.

Aspen Groves, Evening. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn aspen groves at dusk on Boulder Mountain.

With this photograph, I believe I’m coming to the end of the images that came from this October passage along Boulder Mountain back in 2012. It was the second time I visited this area, and like the first visit it was merely a drive through between two other locations. Unlike the first visit, which was in the springtime, I timed this one to coincide with fall colors. (As it turned out, I mis-estimated the date a bit and we arrived for the very tail-end of the colors. ) Like the other photographs of this autumn subject, it was made as the day came to an end.

The distant sky and clouds bring up a subject that always interests me. I’ve lived almost my entire life near the western edge of the North American continent, in a place where the ocean is little more than a half hour away and where the daily weather is affected by it. I’m always aware of this presence. And when I travel I’m equally aware of its absence. Often when I’m in places like the one in this photograph I look west at the end of the day — as this photograph does — and as I ponder how much land lies between me and the ocean I feel its absence.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dusk, From Boulder Mountain

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Dusk, From Boulder Mountain
A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

Dusk, From Boulder Mountain. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

This photograph marks a step in my process of learning about the remarkable landscape of southern Utah. I’ve written previous about how I managed to miss photographing Utah for a long time — it is a long story having to do with Sierra obsessions and family travels though less visually stimulating portions of Utah when I was very young. My first real photographic visit was in the early 2000s in the springtime… and I was taken by this landscape. On our way across the state we passed through the Boulder Mountain area, and I made a mental note to try to revisit this area’s extensive aspen groves in the fall.

A few years later we went back in autumn, on a long trip that started in the Eastern Sierra, crossed empty areas of Nevada, and arrived in Southeast Utah… where I discovered that fall colors arrive earlier there than in the Sierra. When we eventually worked our way across Boulder Mountain it was clear that we were catching the tail end of the aspen colors, and many groves were already bare. At dusk we found a location where lines of still-colorful trees alternated with bare trunks. Among the photographs I made was this one, looking toward the last light on the Capitol Reef area and higher mountains beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.