Tag Archives: grove

Three Trees, Sunrise

Three Trees, Sunrise
“Three Trees, Sunrise” — Three trees at Tuolumne Meadows in hazy sunrise light.

During the first half of September I spent a few days camping and photographing in the Tuolumne Meadows area. On two of those day I wandered into Tuolumne Meadows before sunrise. There was fog one day — not the one in this photograph — and haze from wildfire smoke on both. Here the trees, being close to the camera, have some intense color from the sunrise light, while the haze mutes the distant landscape and shifts its colors.

Some amount of wildfire smoke seems to come with the terrify in September and October in the Sierra, at least until a first good storm arrives. At its worst, the smoke can be thick enough to be unhealthy and to make photography a challenge. But much of the time it can lend an interesting muted color to everything, as it does here.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Pine Forest, Evening

Pine Forest, Evening
“Pine Forest, Evening” — A High Sierra pine forest in soft evening light.

This is an example of what a photographer friend has called “quiet photographs.” There’s no astonishing sunset, no peak piercing the clouds, no spectacular waterfall… just a quiet scene of the sort that characterizes much of our experience in the wild. I love those over-the-top astonishing moments, but I equally love the quiet, still moments and scenes like this one.

This particular scene is along the edge of Tuolumne Meadows in Yosemite National Park’s high country. No one else was there (hard to believe?) and the sun had just set. These trees, the ubiquitous lodgepole pines, stand near the edge of the the open meadow, and the meadow hasn’t entirely given up to them yet, as you can see from the open spacing of the trees and the short green foliage along the ground.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trunks and Needles

Trunks and Needles
“Trunks and Needles” — Trunks and needles at the base of a small copse of Sierra Nevada backcountry trees.

It was early evening, and I had been working subjects along the shoreline of a subalpine Sierra Nevada lake. There’s lots to see in such places — the shoreline itself, meadows ringing the lake, boulders scattered here and there. As the light over the lake became less interesting my attention turned to the nearby lodgepole pine forest.

While the lake was fairly well-lit, with nothing to block the remaining light, the forest was dark and mysterious. As I poked around the forest’s edge I found several examples of twisting trees growing very closely together and catching the colorful reflected light.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees, Evening Light

Trees, Evening Light
“Trees, Evening Light” — A row of pine trees at the edge of a subalpine meadow catches the last evening light.

Yosemite’s Tuolumne Meadows, in the park’s high country, gets special and quite changeable evening light. The meadow runs roughly east-west, so the setting sun sends its light along the meadow’s length. As the sunset develops, long shadows play across the landscape, interrupted by bits of warm light here and there.

I suspect that most people looking at this photograph may get a sense of calm and stillness. That’s not inaccurate, but photographing this ephemeral light is quite different from photographing more static subjects. In fact, I was working madly to grab this frame before the last bit of warm light on the trees was consumed by the encroaching shadows.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.