Tag Archives: grove

Meadow, Mountains, Morning Mist

Meadow, Mountains, Morning Mist
“Meadow, Mountains, Morning Mist” — Morning mist rises from a subalpine meadow with trees in the foreground and peaks in the distance.

For a few days in early July I had this usually-crowded Yosemite location almost to myself. The nearby high-country campground was not yet open, and entry-restrictions to the park reduced the number of visitors. I camped just outside the park’s boundaries, and I entered in the mornings before sunrise — there was no line and I could get to my destinations quickly. On a couple of mornings the sunrise destination was this great subalpine meadow.

The meadow runs from east to west, so sunrise and sunset tend to send light down its length. I positioned myself near the west end on this morning, which meant that I was shooting nearly directly into that morning light. Here I placed a group of trees along the right side of the frame, to contrast the dark forms of their trunks and shadows with the lighter distant mountains, details muted by backlit haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Winter Trees, Dusk

Winter Trees, Dusk
“Winter Trees, Dusk” — A row of bare winter trees silhouetted against the a colorful dusk sky.

This photograph lets me recall how we greeted the New Year. It was the same way we’ve done it for the past decade or so — joining a group of photographer friends to photograph migratory birds in the winter landscape. A few of us arrived the day before, but everyone showed up before dawn on New Year’s Day to greet the first sunrise of the new year together.

This photograph comes from New Year’s Eve. We arrived in the middle of the afternoon, in time for the late-day light. It was a quiet evening, with a few clouds forming when I made this photograph of a row of winter-dormant trees in the post-sunset dusk light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Balcony Bridge, Winter

Photo of Balcony Bridge, Central Park, in winter snow.
“Balcony Bridge, Winter” — A winter scene at Balcony Bridge in Central Park, Manhattan

I have photographed and walked across Balcony Bridge in Central Park frequently. It is near the edge of “The Lake” in a popular area of the park, and in warm weather it is common to see lots of people pausing on the bridge to enjoy the view and take pictures. But it had a very different feeling on this cold and snowy winter day.

It only snowed for a few hours on the late-December morning, but it was enough to cover the ground with an inch or two of white, transforming the appearance of the park. The snow and the mostly-barren trees presented a starker landscape, one that reminded me of some well-known Bruegel winter paintings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Fall Color, Eastside Canyon

Fall Color, Eastside Canyon
“Fall Color, Eastside Canyon” — Trees with fall foliage in sagebrush country at the base of an Eastern Sierra Nevada canyon.

Without naming this canyon, I’ll just say that it is one that you have likely visited if you spend much time on the east side of the Sierra Nevada. From the point where you first see the upper canyon, it offers one of the more spectacular views spanning the range from cottonwood country through aspen country to some very high, alpine ridges.

Ascending the eastern slopes of the range, which rise relatively steeply, I am always aware of transitions. In a relatively short distance you can pass though everything from high desert to alpine zones. In this canyon in autumn, the color at the lower elevations comes from cottonwood trees, but by the time you get to the trailheads aspens begin to join the show. I’ve often photographed the whole of the canyon, but this time I decided to limit the view to just the foreground trees and some lower canyon slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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