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Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Box Elder, Bend in the Creek

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Box Elder, Bend in the Creek - A Utah canyon creek winds through a narrow canyon and past a box elder tree.
A Utah canyon creek winds through a narrow canyon and past a box elder tree.

Box Elder, Bend in the Creek. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah canyon creek winds through a narrow canyon and past a box elder tree.

This little stream and its canyon was the first place we stopped at on our late-October photographic trip through (mostly) Utah. Before this we had shot a bit in the “touristy” part of Zion NP, but this place was quite a bit more off the beaten track. Truth be told, this was also my first time wandering/wading/rock hopping my way up one of these small Southwest canyons – so it was a special bit of adventure for me, and one that I took to very quickly. Although I felt, to some extent, like I already “knew” these places from reading and seeing the work of other photographers, it was still something special to be in the place for the first time.

We began by walking up a portion of the wash through which the stream flowed after it left the canyon. I quickly discovered that here, unlike in “my Sierra,” one does not necessarily try to avoid the water – which wouldn’t really be possible anyway – but instead you walk in it, hop or wade back and forth across it, or tread the soft sand and mud along its banks. Some figure that you’ll get wet, and they wear light footwear. I went “old school” and put on a pair of Gore-Tex hiking boots and rolled up my pants enough to keep the bottoms out of the water.

The light in such places – as the veterans of such shooting know – is a complex and interesting thing. Most of the time you don’t really want direct sunlight, so you (or I, anyway) seek out shade. But you do want reflected light, coming off of the canyon walls high above, taking on the color of the rock, and diffusing down into the depths of the canyon. Contrary to my well-developed shoot-very-early-and-shoot-very-late instincts, you also typically want to shoot during the mid-morning hours and the afternoon, and if the canyon is deep enough and oriented the right direction you may even shoot right through the noon hour! What a concept: sleep in until the sun comes up, eat breakfast, and then go shoot! In this little twist in the stream, at just about the point where we turned around, the water takes on the color of the light reflected from the sandstone walls around the bend, and a single small box elder with golden leaves adds a spot of fall color.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Small Tree and Pink Rock

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Small Tree and Pink Rock - A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument
A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

Small Tree and Pink Rock. Grand Staircase-Escalante National Monument. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

The narrow canyons and slots of South Utah, which I’m just coming to know, are full of surprises at every turn. The “turns” are a literal source of the surprise, since you can’t generally see far up or down the canyons and each turn literally does reveal things that were not visible a moment before. As you progress up (or down) the canyons, the nature of the rock constantly changes as you pass through layers of angled strata of rock – smooth and deep red one moment, pale and broken another, and then light pink or gray. The incline of the canyon changes, as does its width – one moment you are walking on a veritable sidewalk, smooth and wide, and the next you are trying to find your way over rocks and boulders, walking up the middle of a stream, trying to avoid deep and sucking sand, squeezing through a slot, or looking for a higher route around an impassable section. The canyon might be rocky and seemingly devoid of plant life… or you might have to squeeze your way among trees and bushes.

This small canyon presented most of these variables at one point or another. Most of the time we were acutely aware of the stream in the canyon, as our route was in, around, or across the water almost constantly. Here a few small bushes found cracks in the rocky walls with sufficient soil to survive, and the light from far above bounced back and forth between the high canyon walls, picking up the reddish color of the sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Patterns, Dried Plant

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Sandstone Patterns, Dried Plant - A dried plant and sandstone patterns in a southwest desert canyon, Utah
A dried plant and sandstone patterns in a southwest desert canyon, Utah

Sandstone Patterns, Dried Plant. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dried plant and sandstone patterns in a southwest desert canyon, Utah

I was in Utah twice this fall, most recently with my friends Charlie and Karl to photograph a range of desert canyons and similar terrain. I’ve written before that I’m very new to photographing Utah, having seriously shot there for the first time only this past spring. But I’m trying to make up for lost time! Overall, I have spent something like a total of more than five weeks there this year! Yes, I like shooting in Utah. :-)

On the previous visits, I went to quite a few of the well-known locations – largely the national parks – and began the process of getting to know and understand that place a bit. On the most recent visit I was fortunate to be traveling with people who have shot there for decades, and I benefited from their long experience. Getting a bit more off the beaten track, we barely touched national parks – passing through Zion and visiting some remote areas of Capitol Reef. Instead we poked into a range of little canyons and valleys and so forth that don’t have the prominence of the parks. The specific locations are perhaps not that important since the state seems to be filled with similar places. This was my first real experience with the intimate desert canyons and river/creek courses that carve deeply into the landscape, where midday light bounces and reflects into the deep landscape in ways that are utterly unlike the California locations where I most often photograph.

This photograph was made in such a place, the first narrow canyon that we visited. Parking in an inauspicious spot along a gravel desert road, we dropped into a wash and wandered upstream, soon entering a narrow canyon as the sandstone walls rose beside us. Before long the canyon was narrow enough that we had to continually cross back and forth across the creek or simply wade straight up its course. As the canyon narrowed, direct sunlight no longer made it down to the creek – instead the light reflected from the higher cliff faces and bounced down into the canyon, toning the light red from the sandstone surface. In this photograph the cliff and two large pieces of sandstone contain angled strata and reflect the light in various ways as a small and seemingly dead plant sits in a crack in the rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.