“Eilean Donan Castle” — Eilean Donan Castle, on the inland sea near Isle of Skye
We have been traveling. A week ago we returned from a six-week visit to the British Isles — a couple of weeks in Scotland, a bit more than a week in Ireland, a one-week walk in the Cotswolds, and then some time in English cities. The photograph comes from near the start of the trip, just before we arrived on the Isle of Skye. We paused at the Eilean Donan Castle along the inland sea before crossing to the island. It was a welcome break on my first day of driving on left side of the road!
“Bay at Oban” — Looking across the bay at the Scottish town of Oban toward distant highland mountains.
They tell me the weather in Scotland is supposed to be gray, wet, and cold. It was anything but that on the first days of our May visit. (OK, it lived up to expectations a few days later.) For most of our first five days in the country it was pleasantly warm and brightly sunny. Some of the natives seemed grateful that we had brought our California weather along with us. Here in Oban the skies were blue with only a few occasional clouds, and views stretched to distant highland mountains.
Following our first night at a Glasgow Airport hotel after a very late arrival, we took the train to Oban for two days of relaxation and jet lag adjustment. The town was just about perfect for this low key part of the trip. It is a lovely place that sits right on the waterfront — fishermen, tour boats, pleasure craft, and ferries come and go constantly. The whole place was walkable. We visited the Oban Distillery and did a little whisky tasting. And we enjoyed the beautiful panorama of mountains and water.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Forest, Mountain Fog” — Fog fills the valleys and rised towards the highlands along the Great Glen Way.
This photograph comes from one of the most “alpine” days of our Great Glen Way walk in Scotland earlier this year. In previous posts I have mentioned that much of this trek is quite civilized — more of a “walk” than a “hike” in some ways. Long sections follow the banks of the Caledonian Canal, others trace the shorelines of lochs, and in a few spots one can pull off the trail and order food! This was not one of those days. We climbed steeply out of town in the morning, and before long we were at treelike in cloudy and foggy conditions.
As a California hiker and fan of the Sierra Nevada, I am used to having to climb quite high to get to the open country above treelike — often 10,000 feet or higher before the last trees disappear. But in Scotland, with its northerly location (and some other factors), a few thousand feet of elevations will get you to country that looks like tundra. I made this photograph close to the highest trees in this location, where it was open enough to give a long view down into the fog-filled valley holding Loch Ness.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Forest and Fog, Great Glen Way” — Fog drifts across forest trees and mountains along the Great Glen Way.
Understanding a new landscape often takes time. Scotland’s is quite different from any that I’m familiar with. Much of it is green lowlands, and here along the Great Glen Way water is everywhere. There are mountains, though they seem low to this California photographer used to peaks that tower above 14,000 feet. Yet they can be quite rugged, and that ruggedness seems to come on quite suddenly. And then there is the weather! Most days were in the 60s, it was often cloudy, and we dealt with precipitation on about a third of the days or more on our walk — like on this day.
On this morning we had started — as we did almost every morning — by walking out the door of our lodgings in the lowlands. The route soon climbed into those Scottish mountains, and it remained cloudy and damp with fog drifting in and out. One moment we had decently clear views beneath the clouds; the next moment the fog would drift up from the valley and obscure the scene. The overall effect was dark and dramatic in a way that I rarely encounter in the Sierra Nevada “Range of Light.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
