Tag Archives: hiker

Turtle Man

Turtle Man
Turtle Dave* climbing the west side of Mount Whitney near the end of the John Muir Trail.

Turtle Man. © Copyright 2022 G Dan Mitchell.

Turtle Dave* climbing the west side of Mount Whitney near the end of the John Muir Trail.

There are several stories behind this photograph. One is specific to this man and this place, and another relates more generally to people like him that I have encountered in the backcountry over the years. The specific story: “Turtle Dave” (or was it “Turtle Don?*”) was his trail name on the John Muir Trail when we encountered him. He was soloing the JMT, and on this day he was going to reach the summit of Mount Whitney. I was part of a group of experienced backpackers who had come all the way across the Sierra from the west side to get here, and we felt like a pretty tough group… until we met him. He wasn’t fast, but he seemed as at ease in the backcountry as anyone I’ve ever met.

Perhaps because of this photograph, and perhaps because I’m considering some trips into the backcountry, and perhaps because I’m no longer a child (well, not in most ways) I’ve been thinking about a string of similar “mature” backpackers I’ve met over the years. Decades ago as Patty and I embarked on our first long backpacking trip we camped near “Sig,” an “older woman” (at least a decade younger than my age today!) who starting her solo of the JMT. On another trip out of Tuolumne Meadows I spoke with a 75-year-old fellow who was starting out on the JMT all alone. If you meet one of these folks on the trail, I urge you to stop and chat a bit — there’s a good chance that the conversation will be memorable.

* Update: My local research department (a.k.a. Patty) found some web references to “Turtle Don” and his adventure. I’ll leave this post with the current title, but it is good to know the right name for this guy!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Into the Kaweahs

Into the Kaweahs
The High Sierra Trail on the approach to Kaweah Gap, Sequoia National Park.

Into the Kaweahs. © Copyright 2022 G Dan Mitchell.

The High Sierra Trail on the approach to Kaweah Gap, Sequoia National Park.

There are some backcountry adventures in my future this summer. One involves setting up a Sierra backcountry basecamp for some serious wilderness photography. Another is a shorter trip with a group of friends that I’ve joined for backpack trips for decades — since before 1990. One way I get myself in the right frame of mind for these trips is by revisiting earlier adventures. Recently I’ve been looking over a collection of photographs from a major trip that I did with the latter group a decade-and-a-half ago. This photograph comes from that trek.

Back then we managed a few quite long trips — up to a couple of weeks. This trip lasted about a week and a half as we backpacked the High Sierra Trail from west to east, concluding with a Mt. Whitney ascent before exiting at Whitney Portal. There’s some significant up and down on the route — it crosses the rugged Kaweah range, drops deep into Kern Canyon, and then climbs again to cross Whitney Trail Crest. This photograph is from the spectacular climb toward Kaweah Gap from the west. (If you look very closely you may be able to spot one of my fellow hikers.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hiker, Natural Bridge Canyon

Hiker, Natural Bridge Canyon
Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

Hiker, Natural Bridge Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

With the exception of a couple of very accessible and popular canyons, many Death Valley Canyons are not visited all that much. Even canyons that are a short distance from major iconic locations and roads are often uncrowded. Canyons that are more remote can be wonderfully lonely places, locations to find the solitude that the desert supplies in such abundance. They are magical places though, to be honest, if you have experienced the red rock sandstone canyons of the Southwest, many of the canyons of Death Valley are more subtle. The canyons are also an undeniable reminder of the tremendous role of water in forming this landscape, odd as that may seem in what is now a desert.

While many Death Valley sights are arguably at their best during or near the golden hour period around dawn and sunset, the canyons can be good a bit later in the morning and earlier in the afternoon. In fact, too close to the sunset/sunrise times and the canyons can be quite dark — perhaps too dark for most photography. But when the sun is a bit higher in the sky the light can strike upper canyon walls and bounce and diffuse down into canyon depths. This light can be soft, gentle, and take on the colors of the canyon rocks. You can see some of that light on the massive bridge that crosses this canyon, and if you look closely you may see a small hiker providing a sense of scale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.