Tag Archives: hill

Beecher’s

Beecher's
Seattle street scene

Beecher’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seattle street scene

I made this photograph on a recent visit of several days to the Seattle, Washington area. Much of this visit was not photographically oriented, but I did have a couple of days that I could devote to photography. Seattle has a particular character that I enjoy — to generalize, it is partly about the light and weather, partly about the nature of the city itself, and partly about the people. The light is softer and lower angled than what I’m used to in California. The “nature” of the city is a bit hard to explain — though it has both the woodsy quality of being built-in forest as another quality that is shared with San Francisco and its older buildings. There is something, again to generalize, about the people as well. Perhaps more beards and more informal and slightly outdoorsy clothing?

I made this photograph in the Pike Place area, and I just happened to notice the little tableau of people, buildings, and colorful bicycles and other elements as I walked by. If the photograph is about anything, that anything might include the contrasting square shapes of the building and the angled lines of the road and sidewalk, plus something about the positioning of the people. It is also about color, from the yellow line to the colorful elements sprinkled throughout the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rock-Covered Hill, Desert Haze

Rock-Covered Hill, Desert Haze
A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

Rock-Covered Hill, Desert Haze. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

I distinctly recall my somewhat unusual first view of Death Valley. It was perhaps about twenty years ago. My oldest son was in a school “hiking and biking” club, and their annual “Big Trip” was to be an adventure in Death Valley involving hiking, backpacking, and more. Most of the group traveled to the park on a small bus, though I joined a group of parent chaperones and the club adviser/teacher in an old Chevy Suburban, highly modified and loaded down with backpacks and other gear for more than thirty people. We drove all day and entered the park after sunset. Because it was late we stopped at the first available camp ground, the Emigrant campground along highway 190 partway down the route below Towne Pass. We set up camp in complete darkness, unaware of our surroundings, in a landscape that I had never before seen.

Early in the morning, perhaps shortly after dawn, I crawled out of my tent and in this light saw the immense light-filled space of this great Valley for the first time, a view that extended down the gigantic fan on which we were camped, the distant valley floor thousands of feet below, and the rugged mountains on the far side of the valley. I had never seen a raw landscape like this before, with no visible plant life and its geology laid bare — a place of rock, sand, haze, juxtaposed shapes, textures, often-subtle colors, and huge distances. There is, I think, a bit of that in this photograph, which includes a dark, rocky hill that I have looked at many times, its ridge sloping the opposite direction from the distant dark hills across the valley, barely visible through the opaque atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hollywood

Hollywood
The Hollywood sign and antennas

Hollywood. Los Angeles, California. November 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The Hollywood sign and antennas

Yes. That sign. I suppose that everyone (probably) needs a photograph of the thing and, believe it or not, this is my first. There I was. There the sign was. The light was attractive. I photographed it. ;-)

During a four-day visit to Southern California we ended up making a drive up north to central Los Angeles to visit a museum, and since I had never been to the Griffith Observatory before — really! — we decided to correct that. In the late afternoon we headed to Griffith Park with, or so it seemed, about half of the population of the Los Angeles basin. We eventually caught a shuttle and soon found ourselves among the crowd at the observatory. Crowds aside, it is quite a place… and there, off to the right, was the famous sign. As something of an iconophobe, I have to admit that I did not realize that it would be visible from here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Detail, Wildcat Hill

Detail, Wildcat Hill
Detail, Wildcat Hill

Detail, Wildcat Hill. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a building at Wildcat Hill

This is the third and final (for now, anyway) photograph from my visit to the historic Wildcat Hill home of Edward Weston and other members of the Weston family, today including Kim and Gina Weston. I suppose that visiting the Weston compound is something of a photographer’s pilgrimage, given Edward Weston’s influence and the work of the other photographers in the Weston family. (I believe there now may be as many as five generations of Weston photographers.)

The place is fascinating in many ways. Given its location, today not far from a very busy tourist byway, it is especially intriguing to think about what the place must have been like many decades ago. The main building is maintained in much the way it must have been many years ago, and it is a rather humble structure. Inside are many fascinating artifacts — Weston prints, paintings, sculpture, objects from the home, the small Edward Weston darkroom, and more. Over the years the place seems to have picked up a large number of small bits and pieces of “stuff” that is found everywhere — on shelves, attached to walls, scattered around the grounds. These things make fascinating subjects for almost any photographer.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.