Tag Archives: historic

Skylight, Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank
Skylight above the main interior space of the Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Skylight above the main interior space of the Austrian Postal Savings Bank

The Austrian Postal Savings Bank in Vienna is an astonishing bit of modernist architecture. There is a lot of see in Austria, and for various reasons this didn’t make it onto many of the lists we consulted. However, close to the end of our 2018 visit we got a recommendation to visit this place, which turned out to not be all that far from where we were staying.

The building, both historically and architecturally, is a fascinating place. My understanding is that the Austrian Postal Savings Bank was a sort of revolutionary extension of banking services to working people in Austria, to encourage them to develop savings habits even though the amounts they were likely to deposit paled next to what the wealthy had to work with . This particular building is also a beautiful example of modernist architecture of the early 20th century. The photograph looks straight up from the floor of the main room in the building, a large open space surrounded by service windows/desks. This skylight is simple but very big, and it produces absolutely lovely interior light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Interior, Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank
Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Today I’m breaking up the stream of Eastern Sierra autumn color photographs and returning to the even larger stream of photographs from our travels this past summer. This time we’re back in Vienna, where we spent four nights back in August. It was our first visit and, as seems to be the case with first visits to such places, the experience was a combination of being fascinated/impressed by the city along with beginning to get a sense of its character. Four days is, of course, too little time to really understand a place, but during four days our relationship to such a place changes quite a bit.

We got a recommendation from someone to locate and visit the Austrian Postal Savings Bank (Österreichische Postsparkasse), and we’re glad we went. The place does not seem at all to be on the lists of “things you must see in Vienna,” but if you are interested in architecture and history it probably should be. I won’t try to recount my limited understanding of the history here (there are great resources online, and you can start with Wikipedia) but the modernist building is remarkable, both in its overall effect and in its details. This photograph shows the main room, now mostly vacant, which is a remarkable modern, bright, and airy space, lit from about via a huge skylight.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Abandoned Mill

Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Whalers Cabin, Point Lobos

Whalers Cabin, Point Lobos
Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

Whalers Cabin, Point Lobos. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

For may years I have visiting Point Lobos, the increasingly popular (and sometimes over-run) California coastal reserve along the Pacific Coast just south of Carmel. Decades ago my family visited when I was a child — I recall picnicking there, but most of all I remember exploring the tide pools and descending a steep old trail to a small beach that is now closed. While I knew limited areas of the reserve very well, there were other sections that I simply never visited: some of the forest trails, a few areas close to Monastery Beach and others.

One of the places that, oddly, I never visited was the little “Whalers Cabin” set back on the bluff above Whalers Cove, a sheltered and often placid bay that is protected from the surf of the open ocean. I visited the cove, and I’ve photographed there in the past, but I always went right past the cabin without stopping. This summer I finally stopped in and looked around a bit. As I understand it, whalers may have used the place, but so did fisherman. Today it is a small museum, and (as far as I know) the only very old historic structure still remaining in the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.