Stems. © Copyright 2022 G Dan Mitchell.
Stems of new bulbs crowd together.
It isn’t unusual for someone to ask about one of my photographs, “Have you thought about how it would look in black and white?” Why, yes, I almost certainly have! When I began “doing photography” quite a few decades ago, I started with black and white film and printing, and almost all of the photographers I admired were those doing black and white work. Sometimes I know at the time of exposure that a photograph will be black and white. (Though I prefer today’s technology that allows me to capture for color image data for use in the post-processing conversion to monochrome.) Sometimes I’m positive that a photograph will end up as a color image. And sometimes, to be honest, I’m not certain.
This photograph falls into the latter category. Sort of. But not exactly. The thing that drew me to the subject originally was the pattern of very green plants. In fact, a while ago I shared a version of this photograph that is very much a color image. But yet… I felt that it would also work in black and white, and that in some ways the “abstract” nature of patterns of lines and contrasts between light and dark might even work better in some ways using a monochrome rendition.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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