The curved architecture of the corner of the building at 50 United Nations Plaza, San Francisco.
This building is located in the Civic Center area of San Francisco. To the east of City Hall – the opposite side from the Opera House, a place with which I am more familiar – is a large plaza, and beyond that as you might walk toward Market Street you may pass by this building, with its classic architecture.
I’m not familiar with the history of the building, though I assume that it might be in some way related to the United Nations Plaza. The building, which occupies most of a block, is currently being refurbished, and portions at the far end of the building are fenced off. This corner, with its columns and curving shape, seems quite formal, especially when juxtaposed with the rest of the City life in this particular area.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The green exterior of Columbus Tower, San Francisco.
This striking “flatiron” style building stands on a thin corner along Columbus Avenue which angles across San Francisco between the financial district, through North Beach, and eventually toward the waterfront. I had seen the building for many years, but hadn’t stopped to wonder about its story at all until I made this photograph. It was apparently constructed right after the 1906 earthquake, making it now over a century old. Much later in its interesting history it apparently begin to fall into disrepair. Eventually it was purchased by Francis Ford Coppola, who used it for his businesses.
On one of my “personal photo walks” though sections of San Francisco, I passed by after stopping for coffee in North Beach and heading back toward Market Street. The building is striking in many ways. The flatiron design always stands out, as the building is very narrow and very tall and stands at the end of a very narrow block of buildings. The intricate exterior would be worthy of attention even without its striking copper green color. I photographed the building from very close – an approach that I’ve been working with recently – placing a street lamp in front of the building and allowing the perspective distortion to remain in the shot.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening fog obscures the landscape of Rodeo Lagoon, Golden Gate National Recreation Area.
There is a somewhat unlikely story behind this photograph, but a pleasant one. Earlier on this day I had been in downtown San Francisco, in the heart of one of the more urbanized (and not in the good sense of the word) areas of the town. The reason for my visit was a pleasant one, and I do like San Francisco a great deal, but it was a very urbanized experience. I planned that after my downtown event concluded I would go do some evening and perhaps night photography elsewhere within an hour or so radius of The City, since I needed to be back there at about 11:00 p.m. It was mostly sunny in San Francisco, though there were a few wispy fog clouds present, so I started driving more or less west to see what might turn up.
As happened the last time I tried this pattern earlier this summer, as I drove I ended up in more fog rather than less. I recalculated and, again, thought that I’d try to cross the Golden Gate Bridge and see if I could get above the incoming fog by climbing into the Marin Headlands. The fog on the bridge was very thick and it was quite windy. At the north end of the bridge I headed up the hill – there was tantalizing, glowing light somewhere out there in the fog that suggested some clearing to my west and south, but the road itself was completely socked in. Optimistically (or foolishly!) I continued on to the area near Point Bonita, but I could not get out of the fog. It was now getting very close to actual sunset – though I could only detect this by a general darkening of the murky gloom – and I figured I might as well drive down towards Rodeo Beach to see what was there. As I crossed the upper end of Rodeo Lagoon I looked to my left and saw this small group of birds congregating not far from the shore, and in the fading light I decided that it was going to be this shot or no shot at all. I pulled over, took out the camera with the prime lens that I had used earlier for street shooting still in place, attached camera to tripod, and walked over close to the edge of the water.
After all of this driving, I was suddenly conscious of the quiet of this place in the evening light. The thick fog was blowing rapidly up the lagoon from the beach and glowing in the backlight as the light was fading, and three fog horns producing the tones of a minor triad (!) were slowly and mournfully sounding as I made several exposures of this scene. I finished, the light became very dark, and I drove a bit further so that I could walk across the beach to stand at the edge of the surf in the wind and fog before leaving.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.
This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.
The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
