Overlooking old Heidelberg, Germany and the Neckar River from the Philosophen Weg
This is another “postcard” photo of Heidelberg, from our July 2013 visit. (Which was part of a larger trip that included London, Bavaria, and a bit of Austria.) The scene overlooks the Neckar River as it flows past the old town section of Heidelberg, surrounded by forest and sitting below the historic castle.
Although it is a postcard view, those people are members of our extended family, many of whom joined us on this memorable trip. (You know who you are! :-) The little overlook is along a path known as the Philosophen Weg, or “philosophers way,” that follows along the side of a ridge that parallels the river above the bank opposite the old town. We stayed within a few minutes walk of the lower end of this route and we used parts of it to walk to the old town and back. On this morning, all of us climbed the hill and then followed the path beyond the area seen here, descended to a little place for brunch, and then headed back into the town.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A student studies a book on steps at the Physikalisches Institut of Heidelberg University, Germany
On our several walks to and along the Heidelberg Philosophen Weg, we passed by this university building, so I finally stopped for a moment and made a few photographs. The main building looks like an academic structure of some sort, so I had made a guess as to what this place was before I found the sign. One student reads on the steps, and a few of the ubiquitous bicycles are parked nearby. Also ubiquitous is the bit of political graffiti – found in many places near the University buildings, and often relatively small compared to the stuff we frequently see here in the US.
Yes, in a general sense, another postcard photograph. :-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Almost a month ago we spent a few hours in the historic ghost town of Bodie, California on the final day of a trip to the eastern Sierra to photograph fall colors. On this day we decided to focus on a few other things, including a looping drive out to the east of the Sierra, followed by a side trip to Bodie, which came up when it looked like the weather conditions out there might be somewhat more interesting than usual.
Rather than save these up for a week’s worth of individual post, I have decided to combine them into a single post. (I have too many photographs queued up for future posts already.) I am presenting them in roughly the order that I shot them as we wandered around in Bodie. For those who may be unfamiliar with Bodie, it was the site of silver and gold mining many decades ago. There are stories of it being a fairly populous place with many “modern” amenities – but also of it being a rather rough place, which isn’t surprising given its remote location and the fact that it was a mining town. The mines gave out and the citizens gradually moved away, leaving the town almost completely abandoned. A few decades ago it was taken over by the California State Park System and it is now a state historical park that focuses on protecting and maintaining the place and making it available to visitors.
Weathered wooden walls and windows, Bodie, California
I passed this building or group of buildings on my way into the town. I have photographed this structure and, in fact, this section of the structure before. Exposed to the harsh summer and winter conditions of this high desert location, it is no surprise that the wood has been severely weathered.
The Standard Mill in the ghost town of Bodie, California
The Standard Mill is a large facility for refining ore, located across the town from the place where most of us begin our walks. To my eyes, it reminds me a lot of certain other mid-century industrial sites where I have photographed. Unfortunately – for me, but perhaps fortunately for other reason – fences surround the site and it is not possible to easily get inside and wander about without a guide. For that reason all of my photographs of the mill are from some distance.
Standard Mill, Bodie
Standard Mill, Bodie – Detail. Bodie, California. October 13, 2013. Copyright 2013 G Dan Mitchell – all rights reserved.
The corrugated metal exterior of the abandoned Standard Mill, Bodie, California
This is a closer photograph of the buildings of the Standard Mill, whose angles, structure, and supporting wires fascinated me.
Old abandoned buildings line the streets of the ghost town of Bodie, California
These are among a number of buildings along the street heading to the entrance to the Standard Mill. The view here looks back across the valley in which the ghost town is located, toward higher hills, a small aspen grove, and cloud-shrouded peaks.
Windows on the front of an abandoned wooden building in the ghost town of Bodie reflect the cloud-filled sky
The squared geometry of the front of this building first caught my, along with the typical weathered condition of the wooden door, window frames, and paneling. The window reflects a distorted and blurred version of the cloud-filled sky, and underneath are hints of what is inside the windows.
The schoolhouse in the ghost town of Bodie, California
This is the view I first had of the schoolhouse, before I realized that it was, in fact, the school. The tall steeple first had me thinking it was perhaps a church. From this side, the building is backed by nothing but the open space of the high desert, highlighting the desolation of the place.
Downtown Bodie ghost town, with barren hills rising beyond
The foreground structure is the same schoolhouse building seen in the previous photograph. Here the perspective looks over the back of the school and across the buildings of the main street leading toward the mill, which is behind my camera position.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.
A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard
This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.
Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard
I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.
A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard
There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.
Metal wall with white doors, window, and Reserved Parking sign
The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.
White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance
This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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