The front of an old home in Neckarsteinach, Heidelberg, Germany area
I’ll keep the commentary brief on this one. We traveled by boat a short distance up the Neckar River from the Altstadt Heidelberg area last summer and stopped here to wander a bit and to eat. Our wandering took us up and down some narrow, twisty, hill streets and past some beautifully weathered homes.
My camp for a week in the Yosemite backcountry, September 2015
For the past few years I have escaped to the mountains (or desert, in one case) each fall or late summer for uninterrupted photography. Perhaps a half-dozen years ago I was fortunate enough to be able to join up with the five photographers whose work appears in the book “First Light: Five Photographers Explore Yosemite’s Wilderness.” The first year I more or less ran into the group (Charles Cramer, Scot Miller, Mike Osborne, Keith Walklet, Karl Kroeber) — they were on a pack-train supported weeklong-plus trip, and had backpacked in to the same area where I ran into them briefly. The next year I “crashed” their lengthy back-country trip for a few days; the following year I was still a backpacker (they used pack animals) but I joined them for the better part of a week. Since that time I’ve joined all or part of the group for a week or more each fall. (I’m grateful to all of them for welcoming me to join them.)
This year a smaller group of us spent a bit more than a week camped at a single Yosemite backcountry location. For someone with years of backpacking experience, typically moving from place to place each day, staying in one spot for so long has been a revelation. At first I wondered how in the world there will be enough to keep me busy for a week or more. Then half way through the trip I typically realize that I have just enough time to photograph the things I decide are important to work on, only to discover on the final day or two that I could probably actually use another half week or more! The photograph shows my backcountry home for a week this past September, at the end of a granite slab that extended almost all the way to the lake that was our home base.
Late winter shadows fall across a suburban scene composed of a stucco wall, pipes, and a window
This is the second of two “walking around” photographs made in my neighborhood while wandering around with a camera and a couple of lenses. These walks are exercises in seeing, in several ways: When I carry the camera I pay a lot more attention to things around me that I would otherwise simply not see at all, and the process of looking and seeing photographs in places that are so mundane that I might regularly walk past them helps “tune up” my seeing skills.
As I often do, on this walk I was paying a lot of attention to shadows falling across the walls of buildings. As I write in my last photo post, once I started noticing the shadows, which are everywhere in this area, I began to see the buildings differently. For example, here is a building that I might otherwise have simply thought of as a tan building. But now it is a building with branches “painted” over almost its entire surface. And in this one, the branch shadows converge on the mundane little collection of faucets and wires and what-not at the lower left, then spread and open up to surround the white window frame above and to the right.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A weathered red bench next to a suburban lawn and in front of a home with tree shadows
This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.
I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
