Tag Archives: huge

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Crane Structure, Night

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Ship Yard Crane Structure, Night
A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard

Ship Yard Crane Structure, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard

The historic Mare Island Naval Ship Yard, on an island across the narrow bay from Vallejo, California, is a remarkable place. It has a long history, going back to the first half of the 1800s, when it was the first such ship yard on the west coast of the United States. It continued to serve in that capacity until the 1990s, when it was finally decommissioned. At first, much of the facility languished, gradually falling into disrepair. More recently, it has become the site of redevelopment, new construction… and efforts to arrest the decay and preserve some of the historic area.

Mare Island has also been a Mecca for Bay Area night photographers for a couple of decades. Ask almost any area night photographer if they’ve been there, and the answer will be “yes.” I got my start doing night photography at Mare Island about fifteen years ago, when I happened to end up at an introductory session run by the original “The Nocturnes” group, put on as part of the Pacific Flyway Festival. The subject of this photograph is one of the gigantic shipyard crane structures found along the waterfront, designed to facilitate moving huge ship components at the dry-docks. This crane sits on carriages that run on a short section of curving track, allowing it to move over a short distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographer, Raging Surf

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Photographer, Raging Surf
A photographer stands on headlands bluffs to photograph huge Big Sur swells

Photographer, Raging Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

A photographer stands on headlands bluffs to photograph huge Big Sur swells

On this day of gigantic Pacific Coast surf, I stopped at the first location I came to that afforded close access to the bluffs above the raging surf. I grabbed camera, one lens, and tripod and set out on one of the informal use trails between the Pacific Coast Highway and the surf, eventually finding a side trail that took me to a spectacular overlook with views to the south across the surf and into the light. (I mostly shoot “contre jour,” or into the light in these conditions, since that enhances the light on the mist and waves, among other reasons.) Soon it was time to move on, so I packed up and started back up to my car.

At the top of the trail I took one last look before packing and moving on to my next location. As I did I saw a photographer on the spine of one of the ridges running toward the sea, and noticed that he was backed by some truly astounding surf. So I quickly held up, put my tripod back up again, and made a few exposures as he stood against the background of the huge waves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Red-Wing Blackbirds, Twilight

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Red-Wing Blackbirds, Twilight
A huge flock of red-wing blackbirds wheels in the twilight sky

Red-Wing Blackbirds, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A huge flock of red-wing blackbirds wheels in the twilight sky

First, a confession. Although I’m almost positive that the little black spots in this photograph are individual red-wing blackbirds, I was not actually close enough to verify. I had seen quite a few of those specific birds here earlier and none (or very few) of the birds that I might mistake for them, such as tricolor blackbirds. The rediwings are ubiquitous here in California and, I suspect, many other places. Before this past year I had mostly noticed them as individuals or in very small groups, often perched on a fence or tree or similar. I also sometimes saw them in groups of perhaps a few hundred.

This was the first year that I saw these small birds collect into extremely large group of many thousands of individuals. (In at least one case, I would estimate that there might have been multiple tens of thousands. On that day I saw then in the far distance through light fog in the very early morning — too far away to photography.) These really big groups sometimes perform remarkable group aerial maneuvers, with the entire flock spontaneously changing directions, ascending, descending and forming unusual patterns in the sky. In this photograph we see a diagonal boundary between the main group and a smaller group against twilight sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Utah

Boulders and Fractured Cliff

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Boulders and Fractured Cliff
Huge boulders lie at the base of a fractured sandstone cliff, Capitol Reef National Park

Boulders and Fractured Cliff. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Huge boulders lie at the base of a fractured sandstone cliff, Capitol Reef National Park

The rugged sandstone landscape of Utah is among my very favorite, rivaling “my” Sierra Nevada. It certainly exceeds the Sierra when it comes to color, especially in autumn when the yellows and reds of fall colors are set off against the infinite variety of sandstone colors and textures and that beautiful blue sky. The iconic locations are well known — Zion, Bryce, Arches — but off the beaten track there are infinite other beauties to find in places like Grand Staircase-Escalante National Monument, a place that would certainly be one of our greatest national parks by now if not for politics. This photograph comes from Capitol Reef, a park that I’ve been getting to know for the past few years.

I’ve spent a lot of time there, and recently I’ve been looking forward to returning. However, now that I see the Utah politicians mounting a very serious special-interest attack on these great American lands, ranging from new monuments to some of the venerable places, I’m not going to give that state one bit of my business. Several major outdoor equipment manufacturers (Patagonia and Arcteryx as of this writing, with more to come) have dropped out of Utah’s major annual outdoor industry meet-up, and I think that a fine way to remind those Utah politicians that these lands matter — to all of us, but also to their constituents whose gas and food we buy and in whose motels we stay — is to take a No Utah vow until this changes. Perhaps I can get my sandstone fix in New Mexico? ;-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.