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Dunes and Blowing Sand

Dunes and Blowing Sand
Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

Dunes and Blowing Sand. © Copyright 2022 G Dan Mitchell.

Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

The desert landscape has a way of reminding us how small we are. Sometimes this happens in unexpected ways, perhaps in a moment when the air is still in a quiet, lonely place and a sense of deep time may become overwhelming. More familiar manifestations are common, including such things as the nearly unbearable power of a desert wind storm, or standing on a peak and overlooking hundreds of square miles of what appears to be “empty” terrain.

I photographed these dunes on a windy afternoon and evening. The winds increased as I worked alone At times streamers of sand blew past me, over the lips of folds in the dunes, and sometimes even uphill. I would pause, hunch my shoulders a bit, steady tripod and camera, and resume photographing a moment later. I made this photograph from near the bottom of a tall dune, angling the camera slightly upwards to include its windward face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote, Sunset Shadows

Creosote, Sunset Shadows
A clump of creosote among curving sand dunes as sunset shadows arrive.

Creosote, Sunset Shadows. © Copyright 2022 G Dan Mitchell – all rights reserved.

A clump of creosote among curving sand dunes as sunset shadows arrive.

This comes from a short but very intense burst of photography on a late- January evening in Death Valley National Park. A suitable interval before sunset I had headed out on a hike of a bit more than a mile to a line of sand dunes, where I expected that the final direct sun o the day would arrive over the top of a low ridge to my west, and that it would have the potential to bring some lovely, wam light to the dunes. I arrived at the dunes well before sunset and set to work looking for subjects in this somewhat unfamiliar place.

The light was already transitioning toward evening, and as I worked the transition accelerated. I put a long lens on the camera, partly because it would allow me to pick our small compositions in the larger landscape and partly because it would let me quickly respond to short-term bits of beautiful light that were too transitory for me to pick up and move to their location. Moments before the sun dropped beyond that ridge, the color of the light intensified and the shadows lengthened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote, Early Evening Light

Creosote, Early Evening Light
Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Creosote, Early Evening Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Desert light (like that in quite a few other places) can go through a remarkable transformation late its the day, a transformation that mirrors the one taking place in the morning. In the middle of the day, the light is often quite intense, rather bluish (from that gigantic light panel we call the “sky), and the landscape is full of harsh contrasts between highlights and shadows. At some point in the very late afternoon, assuming a cooperative surrounding landscape and the right weather conditions, the light imperceptibly begins to soften and warm in color. If you were not attuned to this you might not notice at first, but eventually it becomes obvious as the process accelerates and intensifies, producing a sort of “crescendo of light” that often peaks just before it ends.

I made this photograph somewhere in the middle of that cycle — far enough along that the color has definitely warmed, but not so late that the full sunset redness has arrived. At this point the light changes rapidly, and features that I had not noticed suddenly become interesting. I often find myself working quite quickly at this point — perhaps in contrast to how some people imagine landscape photography works. In these situations I often like to work with zoom lenses with long focal lengths. This allows me to quickly respond to things I see at varying distances, to isolate smaller sections of the landscape, and to quickly try out different compositional ideas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Dunes, Light and Shadow

Sand Dunes, Light and Shadow
A curving sand dune boundary between light and shadow, Death Valley National Park.

Sand Dunes, Light and Shadow. © Copyright 2022 G Dan Mitchell – all rights reserved.

A curving sand dune boundary between light and shadow, Death Valley National Park.

This particular curving dune section became the subject for a series of photographs I made on this morning. It is a remarkable form, traveling higher and lower on the dune that what you can see in this photograph — a sort of “s-curve plus.” I have previously shared a couple of other photographs of it that were interpreted in color, photographs that show a larger portion of the dune. This one focuses on a small area near its base.

The light here was fascinating. The dunes are backed by a taller ridge, so the morning light does not arrive here until some time after dawn. At sunrise the light on these dunes is fully shadowed, and it has the blue tones of reflected sky. But as the sun rises it eventually sends its light across that ridge behind the dunes, and streamers of light being to slant across the dunes features, creating quickly evolving patterns of light and shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.