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Sunset Flight

Sunset Flight
Geese in flight above fields at sunset

Sunset Flight. © Copyright 2019 G Dan Mitchell – all rights reserved.

Geese in flight above fields at sunset.

Expect to see quite a few bird photographs during the next week or so. David Hoffman and I are featured in “Birdscapes,” an exhibition of our bird photography at the Stellar Gallery in Oakhurst, located near the southern entrance to Yosemite National Park. The two of us photograph birds and the landscapes they inhabit all along the Pacific Flyway. There is a lot more information about the show including details of location and dates at this web page. The show opens next week and we’d love to see you at the artist reception on Saturday, February 16 at 5:00-8:00pm at the gallery. If you are heading to Yosemite to see the recent snows or to try your luck at photographing Horsetail Fall, why don’t you swing by and see us?

I made this photograph on a winter evening, as a slight foggy haze filled the atmosphere and the western sky turned a lovely shade of pink. A large flock of geese was alternately feeding on pastureland and erupting into the sky en masse. I made this photograph at the very end of the day as the last faint sunlight illuminated the birds on the ground as other birds arrived to join them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Cranes, Dawn Clouds

Cranes, Dawn Clouds
A flock of sandhill cranes flies beneath dawn clouds

Cranes, Dawn Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies beneath dawn clouds.

When I began photographing (mostly) migratory birds in the Western United States I was largely ignorant about what I was seeing. One of my first bird photography forays was essentially an accident. I happened to run into a friend in a coffee stand line one morning and she (who is a true “birder”) happened to say, more or less, “I think you might like to go visit this place I know of.” Given the way I sometimes work, that serendipitous nudge was sufficient to get me to drive a few hours before dawn the following weekend to visit this place I’d never heard of before. I arrived. There were tons of birds. (And I discovered the power of the sound of the birds, too!) I had no idea what I was seeing, but I liked it and I made photographs. I was hooked.

As I started to edge over toward an active compulsion to photograph birds more seriously I began to recall a earlier hints about this world that I had ignored. One was all the way back in a college “natural science” short course, where the prof (who seemed a bit “odd” to me then) went on about snowy egrets (which I mostly ignored) and made us read Aldo Leopold’s “A Sand County Almanac.” I didn’t fully “get” Leopold’s book at the time, but it planted a seed. (Re-reading it years later I understood more fully the power of Leopold’s vision and his writing, and I recommend the book.) One thing that I DID retain from reading that book was an idea that there was something special about sandhill cranes, which were among the birds that I finally discovered in the real world on that first morning when I acted on my friend’s coffee line suggestion. The birds in this photograph are sandhill cranes, which seem to me increasingly to be magical birds. In fact it is their characteristic cry that is my strongest audio association with the places where wild birds are found. I photographed this group very early in the morning as their trajectory took them below the edge of dawn-tinged clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

White Pelicans, Clouds

White Pelicans, Clouds
Four white pelicans in a cloud-filled California late-autumn sky

White Pelicans, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Four white pelicans in a cloud-filled California late-autumn sky.

My timing was fortuitous on this morning. The white pelicans usually congrats in groups that appear to contain a few dozen individuals. The often stay more or less in one place for long periods of time, but eventually they decide to move. They take off in long strings of individuals, generally flying past not too far off the ground. This happens suddenly, and if I’m not in the right spot, rather than being close enough to photograph them I watch the brief spectacle from a distance. On this day I just happened to be in the right spot at the right time.

I think of the white pelicans as being special. Perhaps most people wouldn’t, being mostly familiar with white versions of the bird. But I had a long acquaintance with the coastal brown pelicans before I ever realized that the white version was found locally. I’m sure they were around, but someone I didn’t notice — today I see them in quiet coastal waters, in inland ponds, and more. But even today, the coastal birds seem familiar and conventional to me, while these white birds still seem a bit exotic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Within The Flock

Within The Flock
Inside the tumultuous take-off of a flock of migratory geese

Within The Flock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Inside the tumultuous take-off of a flock of migratory geese

When I first started photographing migratory birds, I was astounded by the sheer numbers of them and how the flocks behave. I still am. While individuals and smaller groups are sometimes spotted, it is the very large flocks that seem the most remarkable. Sometimes they assemble slowly, a few birds at a time, until there are thousands or tens of thousands of birds. Sometimes they disperse the same way. On other occasions whole flocks move at once, and the visual and auditory experience is astonishing when it happens.

This group took off as a group, in response to some stimulus that escaped my attention. This sort of photograph is a “type” among bird photographers — a long lens photograph that tries to get inside the environment of the flock and what appears to be wild tumult as the birds move all at once.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.