Tag Archives: intimate

Conifer Bark

Conifer Bark
Close-up of conifer tree bark, Yosemite Valley

Conifer Bark. © Copyright 2018 G Dan Mitchell – all rights reserved.

Close-up of conifer tree bark, Yosemite Valley

I’ve spent a total of perhaps a bit more than a week-and-a-half in Yosemite so far this season, beginning back in late February when I spent an unusually cold and snowy week mostly in Yosemite Valley photographing various aspects of the winter landscape. (An artist-in-residency through the Yosemite Renaissance was an important reason for that visit.) I was back again this past week, mostly thinking that I would be experience the “spring” half of the annual winter to spring transition — but once again arriving to snowy conditions. Yet the signs of spring were everywhere, too. Annual plants are poking up, here and there one can find a few early wildflowers, the dogwoods are just starting to leaf out, and the waterfalls are running strongly.

We often think of the “landscape” as being the immense scale of things in the natural world. But the grand landscape is the sum of many small components, and landscape photography has long paid attention to them individually, too. In a place like Yosemite, with its iconic big features, you might have to remind yourself to go look for the small things. One one recent day with so-so midday light, I put on my camera pack, grabbed my tripod, and just wandered slowly off into the forest, stopping frequently to consider my surroundings. Near the farthest point on this walk, I left the trail and walked into the forest and, for no particular reason, came upon a tree that seemed not all that different from all of the surrounding trees until I looked a bit closer and saw these remarkable bark patterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Leaves, Winter Snow

Autumn Leaves, Winter Snow
New snow partially covers autumn oak leaves along a Yosemite Valley trail

Autumn Leaves, Winter Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

New snow partially covers autumn oak leaves along a Yosemite Valley trail

Sometimes in California I can experience at least three seasons on the same day. (I’ve occasionally wondered if I could cram evidence of all four into a single photograph, but so far haven’t figure out how.) For example, it isn’t impossible to find a scene that includes brown autumn leaves, snow, and new growth. A hot autumn day might include fall colors and perhaps a recent snow flurry on high peaks. Travel less than 100 miles from an inland area to the Northern California coast and go from 100+ degree temperatures to cold and wet enough that you might want a pair of gloves. Descend from a snowy peak, through forest, and end up in desert.

By those standards, this photograph perhaps falls short, as only two seasons are represented — the winter snow flurry and the brown leaves of autumn oak trees. It was not snowing as I made the photography, but it had snowed just a few hours earlier here in Yosemite Valley, and as I hiked along the base of granite cliffs and past conifers and oaks there were still places where the snow had not melted.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Leaf and Sand

Leaf and Sand
An autumn leaf in the sand of a California north coast beach

Leaf and Sand. Northern California Coast. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn leaf in the sand of a California north coast beach

In many ways the spectacular and rugged Pacific ocean coastline of Northern California is a landscape of huge scale, from the ocean itself to the long views of rocky cliffs, shoreline bluffs, coastal mountain ranges, sea stacks, clouds and fog. I love this country and many of my photographs of this landscape focus on these very things.

But sometimes I do look down at my feet as well. On this afternoon we had stopped at a beach where the road dropped down to nearly the water level and the wintry ocean was wild with the energy of a passing storm, producing surf and swells so large that it seemed that we looked up at them. I wandered out toward the waterline and began to photograph the surf and some sea stacks that stood in the path of the waves. As I turned to walk down the beach I happened to look down and see this autumn leaf, stuck in the sand near the high water mark, with the faintly visible paths of water that had detoured around the leaf on its way back into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.