Tag Archives: intimate

Aspen Branches

Aspen Branches
Winding branches of an aspen tree, Sierra Nevada.

Aspen Branches. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winding branches of an aspen tree, Sierra Nevada.

For some reason this tree sticks in my memory. I had been scouting and photographing in the Lake Tahoe area as part of the work on my fall color book. On my way back to the San Francisco Bay Area I decided to leave the Tahoe area and head south so that I could drive through Hope Valley and over Carson Pass. By the time I got here it was late and the light was fading. There was a solid wall of aspen leaves behind this exposed tree, but they were very early in the autumn transition and still mostly green. I did not seem like the typical “fall color” photograph, but I stopped and made a few exposures anyway.

Some time later I “found” this file in my archives and, unlike when I made the photograph, it somehow seemed obvious that it could be a black and white image. Sometimes I know (more or less) when I make the exposure that a photograph is going to end up in a monochromatic rendition. But I confess that I sometimes reserved judgment until I see the raw file later on… and that on some occasions a photograph that I initially conceived of as a color image only reveals its potential in black and white during the post processing phase.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basalt Columns

Basalt columns at Devil's Postpile National Monument
“Basalt Columns” — Basalt columns at Devil’s Postpile National Monument.

The existence of this photograph can be credited to two women. The first is my wife Patricia Mitchell. We were in the Eastern Sierra in a the autumn a few years ago to photograph fall colors. On this morning we were supposed to get up early and go photograph aspens, but we were lazy — we slept in and enjoyed breakfast, which is not the typical photographer’s ritual. Devil’s Postpile seemed like a potential option for photography a bit later in the morning, so that’s where we went. Arriving, I wasn’t so sure — there were crowds and the early light was gone — and initially I was going to leave my camera behind and just walk over and take a look… but “someone” urged me to bring the camera gear along just in case.

The second woman who played an (unknown to her) role in the appearance of this photograph is friend and photographer Franka Mlikota Gabler. She recently shared a set of lovely photographs of this location, and these photographs got me thinking about my one visit to the place… and inspired me to back into the raw file archive, where I found this photograph from that lazy morning when I almost left my camera behind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Trail, Spring Morning

Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Forest Ferns

Redwood Forest Ferns
Interlocking ferns beneath old growth redwood trees along the Northern California coast.

Redwood Forest Ferns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Interlocking ferns beneath old growth redwood trees along the Northern California coast.

This photograph continues with small things seen up close, in this case a bed of interlocking fern leaves on the forest floor beneath old growth redwood forest in coastal Northern California. When I make photographs like this one I typically start out thinking something like, “It should be easy to photograph ferns.” But it never is. As soon as I zero in on a composition I start to notice little flaws in the miniature scene — perhaps an empty void in a bad spot, a leaf that is deformed, a bright spot, you name it. And the photograph that seemed like it would be a quick thing… can end up occupying a substantial amount of my time.

But there is a lot more to photograph in redwood forests than must redwood trees. That subject most certainly is worth our attention, but with such monumental trees dominating the scene it is easy to overlook the smaller things. In order to see these things I tend to wander though the forest setting very slowly, sometimes spending more time standing and looking around than walking. (I’m pretty sure I drive some of my trail companions batty this way!) I found these ferns shortly after I crossed a rise and began to descend into a valley. I stopped and probably barely moved at all for 15 to 20 minutes as I photographed them and other nearby subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.