Tag Archives: inverness

Tomales Bay Hills, Morning

Tomales Bay Hills, Morning
Tomales Bay Hills, Morning

Tomales Bay Hills, Morning. Inverness, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on clearing fog and mist in the hills above Tomales Bay, California

I had headed up towards Point Reyes National Seashore, which is not at all far from Inverness, very early on the cold February morning. I allowed myself to be distracted by other sights on the drive up, and so I did not make my planned arrival on Drakes Bay for sunrise. The sun came up as I drove along the shores of quiet Tomales Bay. Since that’s where I was and the light was interesting, I gave up my early morning plans for shooting along the beach inside the park and instead stopped here to photograph instead. When I got out of my car, I was surprised by how cold it was. It isn’t unusual to have sub-freezing morning temperatures in parts of the Bay Area this time of year, but it is unusual when that happens right along the ocean shoreline.

This photograph might serve as proof of my eligibility for membership in the “Shooting Straight Into the Light” school of photography. (No one who has seen a few of my photographs will be surprised by that, I expect! I’m a big fan of back light and bright light shining through things.) From my shooting position along the shore of the bay I had quite a range of different sorts of light. Looking to my left (north) toward the mouth of the bay, shoreline buildings, piers, and moored boats were well-lit by morning light coming from my right. But looking back up the bay the sun was rising above the Marin hills right in front of me as bits of fog floated in a few valleys and on the tidelands of the bay. It was very, very bright and this light almost completely washed out all of the colors that were so visible when looking in other directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.