Tag Archives: inyo

First Light, Eastern Sierra

First Light, Eastern Sierra
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

First Light, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.

Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Solitary Aspen, Dark Forest

Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Aspen Leaves Cluster

Autumn Aspen Leaves Cluster
A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Autumn Aspen Leaves Cluster. © Copyright 2020 G Dan Mitchell – all rights reserved.

A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Here it is — finally — what I expect to be my final photograph from this year’s autumn aspen color in the Eastern Sierra Nevada. Like many of the others, I made this photograph while wandering about in a little grove that happened to be showing exceptional color this year. To some extent that color was because my timing was just about right, but it also seemed like a more colorful year than usual, with more of the red and orange leaves that I usually see.

When I’m in the field I often line up a sequence of potential photographic opportunities to explore as the light evolves. I might start with a subject that will work in pre-dawn light, then move to one that focuses on the first light of sunrise, and then be ready to photograph things that work in the light that arrives a bit later. That’s what happened with these leaves. The light on a major landscape subject that I was photographing had mostly run its course a half hour or so after sunrise, so I moved to this grove which was still in the shadow of a nearby hill. That light was perfect for making close up photographs of leaves, since the soft light reveals details in everything from shadows to highlights.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Twin Leaves

Twin Leaves
“Twin Leaves” — Two autumn aspen leaves in the Eastern Sierra Nevada.

Continuing the countdown to the end of this year’s batch of Eastern Sierra fall aspen color, here is another vertical format close-up of a pair of beautiful leaves, photographed in the soft light of a colorful grove still in the morning shadows of a nearby ridge. This soft light filled in the shadows, lowered the contrast, and produced lovely saturated colors.

These leaves, here mostly positioned against a background of very out of focus trees with a few leaves around the edge, are illustrative of what I found during by brief fall color foray this year — a whole lot of great color and more reds and oranges than I usually encounter.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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