Tag Archives: inyo

Shoreline in Shadows

Shoreline in Shadows
“Shoreline in Shadows” — An eastern Sierra lake, surrounded by meadows and forest and reflecting talus slopes, in early morning shadows.

While we love to photograph mountain light, sometimes it can be tricky. I photographed this scene in the early morning. I had gone out well before sunrise, planning to spend some time working with the soft light before the direct sunshine arrived. The the sunlight first touched peaks high above the distant talus slope, then began to descend toward the lake. I made this photograph while the directly-lit talus field was just outside the frame, and moments later things were very bright!

This is, at least for me, the kind of scene that I don’t immediately “see” as a photograph. But when I do I intuitively work out some kind of composition, moving forward and backward, left and right, higher and lower, and adjusting focal length until it just seems to come together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dawn, Pond and Mountains

Dawn, Pond and Mountains
“Dawn, Pond and Mountains” — Sunrise light strikes Sierra Crest peaks and is reflected in the surface of a subalpine pond.

I recently spent a few days backpacking with long-time friends and few new friends. We headed into the mountains just east of Yosemite and the Sierra crest, spending days in a high place — we were just above 10,000′ the entire time. We camped near this pond, so I was up before dawn to be here for the sunrise show as the first light appeared on the high peaks to our east.

Traveling in the backcountry with non-photographers is always a different experience. During the past few decades I have mostly backpacked by myself or else gone out with other photographers. We photographers have our odd rituals: up in the darkness, breakfast at mid-morning, dinner before the good evening light, then out to photograph and not back until dark. Sometimes I wonder if the others think I’m some kind of ghost.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Aspen Grove and Pond

Aspen Grove and Pond
“Aspen Grove and Pond” — Autumn aspen trees on the shore of a small Eastern Sierra Nevada pond.

I came to this spot rather late in the day, though that was partially intentional. I knew that rows of aspens here can glow in backlight in the late afternoon, and there is a short window of opportunity between the time that the sun moves behind them and when it drops behind the surrounding peaks. I arrived and quickly went to work, since I had my eyes on several of the groves.

These trees grow in a row on the far side of a beaver pond. You wouldn’t know it from the photograph, but it can be a bit difficult to find a camera position with a clear view across the water — lots of stuff grows along the near shoreline, and much of it is so wet and muddy that it isn’t easy to get to the water’s edge. When I made the photograph the far slopes of the upper valley had already fallen into shadow, and before long the light would disappear from these trees, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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