Tag Archives: inyo

Morning Shoreline

Morning Shoreline
Early morning light on the shoreline of a subalpine Sierra Nevada lake.

Morning Shoreline. © Copyright 2022 G Dan Mitchell.

Early morning light on the shoreline of a subalpine Sierra Nevada lake.

There is a lot to see along the edges of virtually any backcountry Sierra Nevada lake. As I go though my mental inventory from many past trips I think of mornings and evenings looking straight into low sunlight, campsites (from back in the days when we still thought it was OK to camp near the water), hours spent sitting quietly among rocks and plants, slow circumnavigations of lakes, the marshy areas near inlets and outlets, the mountains rising above them, and more. We spent a week at this lake, which gave me a chance to see it in almost all of its moods.

This particular location has some significance to me. In a previous time, it was still acceptable to camp on the top of the rocky ledge at the left, and it was our “go to” spot to set up tents and bivy sacks back then. These days, the authorities have (wisely) placed that spot off limits for camping — too close to the water, too likely that colorful tents draw attention, and too little area. But we can still visit, and on this trip I used the spot to get an elevated perspective on the lake. I made this photograph in the morning, as the first direct light of the day was working its way across the landscape. Although the nearby face was still almost entirely in shadow, the further trees were catching that morning sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees, Drifting Fog

Trees, Drifting Fog
Fog from a clearing storm drifts among backcountry Sierra Nevada trees growing on rocky ledges.

Trees, Drifting Fog. © Copyright 2022 G Dan Mitchell.

Fog from a clearing storm drifts among backcountry Sierra Nevada trees growing on rocky ledges.

This evening marked the end of a 24 hour bout of pretty challenging backcountry weather during our August photography trip in the Eastern Sierra. We had no more set up our tents at our base camp when the skies unleashed hours of the heaviest rain I have ever experience in the Sierra backcountry. Later that evening it decreased enough that we could come out of our tents, recover some gear that had been left out in the deluge, fix dinner, and crawl back into our tents. We thought it was over, but very early in the morning it started again, though this time not nearly as heavy, and continued on into the next day. Finally, on the second evening, the weather started to break.

On this second evening we all headed out to find suitable photographic subjects. The clouds were slowly thinning, and the surrounding peaks starting to show through. Eventually we got a bit of last-minute sunset light that created utterly beautiful cloudscapes and colorful mountains. But first, I set up on top of a rocky outcropping and watched fog drift across this rocky slope, making the trees drift in and out of sight as the clouds washed back and forth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Ridges Beyond

The Ridges Beyond
A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

The Ridges Beyond. © Copyright 2022 G Dan Mitchell.

A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

Because variations on this particular scene comprise a significant portion of the photographs I made during our August Sierra backcountry sojourn I have been trying to release them somewhat gradually. However, even though I shared a quite different version of the view from this camera position just a few days ago, here’s another. This one is, obviously, a near-panorama rendition that takes in the far edge of “our” little lake, its outlet, surrounding ridges, the more distant scene, and some beautiful morning clouds. The whole scene is softened by a bit of backlit morning haze.

Sometimes I’m immediately certain of what a photograph will look like as I make the exposure. But other times I’m less sure and I reserve judgment, perhaps making multiple exposures that will work for any of several possible directions I might take with the subject. That was the case with this scene — multiple “takes” were required not only for that reason but also to ensure that I’d be able to work with some rather extreme light contrasts between the shadowed foreground and the very bright clouds and sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lake, Morning Haze

Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.