Tag Archives: isolation

Photographs: Pandemia, Photographs: Utah

Postcard From Pandemia #1

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Postcard From Pandemia #1
A bench, a wall, a warning sign, and a door in sunlight.

Postcard From Pandemia #1. © Copyright 2020 G Dan Mitchell – all rights reserved.

A bench, a wall, a warning sign, and a door in sunlight.

Photography is perhaps low on the list of the world’s priorities during a pandemic, when millions are infected and tens of thousands have died so far. But the world doesn’t stop for this, and we go on doing what we do as best we can — there is really no other choice, in my view.

My ability to make photographs of the subjects I would normally focus on right now has been extremely limited since I cannot travel more than a few miles and mostly on foot. So I have been using this as an opportunity to review my archives of old images, many of which might otherwise have been permanently left behind. But I’ve also pondered how in the world to photograph this event and its effects. I’m finally starting to see some general outlines of how this might be possible. We’ll see where this leads. Stay tuned.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Branch, Water on Salt Flats

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Branch, Water on Salt Flats
Branch, Water on Salt Flats

Branch, Water on Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

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