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Ridge, Last Light

Ridge, Last Light
The last evening light strikes the top of a Sierra crest ridge

Ridge, Last Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last evening light strikes the top of a Sierra crest ridge.

As a photographer of landscapes I like to think of myself as being something of a connoisseur of sunsets. Hey, I’ve seen a few of them! There is not denying that it is a special time of the day, just like dawn, when the landscape undergoes a rapid and often striking transformation, made more notable against the backdrop of daytime light that changes very slowly. As the day comes to an end the changes accelerate — shadows lengthen, the sun approaches the horizon or other blockage, the color of the light warms, and distant clouds and other features begin to affect the local scene. Quickly the light disappears, leaving some alpenglow if you are lucky, and then the transition slows again as darkness falls.

Over several evenings it became obvious that this ridge above our camp was the last one to get the sunlight. Since we were camped to the east of the Sierra Nevada crest, there was little full-on sunset light here. However, given the curved shape of the upper canyon and the high peaks on the crest, there were a few spots like this one that were open to the light coming from far to the west. On this evening some clouds assembled above the ridge, creating a more dramatic backdrop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Glaciated Terrain

Glaciated Terrain
A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines

Glaciated Terrain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peninsula, Lake, Morning Light

Peninsula, Lake, Morning Light
Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake

Peninsula, Lake, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake.

My morning visit to this lake above our basecamp was fortuitously timed. I’d love to take credit for great planning, but I must admit that luck played a big role. I had a plan — it involved heading up that way quite early and then taking the time to ascend a low ridge and walk to the far side of the lake. But none of that happened. While I did get a reasonably early start, I was soon distracted by other subjects along the route to the lake, and I ultimately arrived there later than I had planned. However, my inability to stick to my schedule played to my advantage.

I arrived at the lake’s outlet, a long and narrow channel of still water, to find that the “quiet light” (thanks, Keith Walklet) was still there, so I paused to photograph that scene in soft shadows. Soon I decided to move on and head up and over that low ridge… but I immediately saw another scene that I had to photograph, some lichen-covered rocks along the shoreline. Finishing with this distraction, I now realized that I really had to get moving and climb that ridge. But by now the sunlight was on that ridge, and its reflection was casting lovely soft light back on a rocky peninsula and the boulder-strewn shoreline. So — again! — I stopped to make photographs of this scene. But this one took longer, as the light continued to develop and increase, until sunlight began to illuminate the water itself, building abstractions of light and color and reflections in front of the peninsula. (In the end I never did cross that ridge or go to the other side of the lake!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocks, Water, Reflection

Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.