Tag Archives: landscape

Distant Mountains

Distant Mountains
The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

Distant Mountains. © Copyright 2023 G Dan Mitchell.

The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

As I keep saying when I post Death Valley photographs (yeah, broken record…) the distances there are immense. As a result, atmospheric haze often has a distinct effect on photographs of the larger landscape. This can be challenging — the effect on colors is not always attractive. But it also can enhance the sense of depth in the image. A friend of mine refers to the effect as “atmospheric recession,” though I understand that the better known term may be “atmospheric perspective.” The colors shift, contrast decreases, and fine details can be diminished.

This photograph clearly makes use of the effect. I was photographing across Death Valley from an elevate position with a very long focal length. The low foreground hills are a good distance away, but not so far that they are strongly affected by haze — thus the greater contrast and especially the dark shadows. But the lower slopes of the Panamint are many miles away, and the haze has a big effect of their appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mountains and Fan, Morning

Mountains and Fan, Morning
Morning light on desert mountains and an immense alluvial fan, Death Valley National Park.

Mountains and Fan, Morning. © Copyright 2023 G Dan Mitchell.

Morning light on desert mountains and an immense alluvial fan, Death Valley National Park.

The scale of the landscape in Death Valley is difficult to comprehend. Vistas often encompass huge distances — it isn’t uncommon to be looking at mountains that are tens of miles away, sometimes many tens of miles. Entering this landscape on foot often reveals this truth: An alluvial fan that looks relatively manageable from a distance might take a hour or several to cross.

I made this photograph just after dawn. It looks across Death Valley toward the base of the Panamint Range, rugged and tall mountains topped by Telescope Peak, the highest point in the park. I used a long lens, which drastically compresses the distance. If you were to set out to walk to that wash on the distant alluvial fan at the base of the mountains it would take you at least a day to get there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Across the Canyon

Across the Canyon
Morning light on a desert canyon and eroded hills, Death Valley National Park.

Across the Canyon. © Copyright 2023 G Dan Mitchell.

Morning light on a desert canyon and eroded hills, Death Valley National Park.

Weeks ago I thought I was “done” with the photographs from my January visit to Death Valley National Park. As usual, I was wrong. I almost always end up returning later to files that I think I’ve picked over, and I inevitably find something that I missed. (I have a theory about this that has to do with how we see photographs right after we make them versus how we view them later on with some aesthetic distance.) I made this photograph on a morning when thick haze to the east softened the light.

The impetus for this return to the file archive was a posted by a friend who was photographing in the park just before the first day of spring. I recognized her camera position as being very close to a place that I had used in January, and when I went back to my files to verify my hunch I ended up plowing through the archive again. The fact that this photograph sees the light of day now is the result of multiple bits of serendipity. I was there to photograph an entirely different subject, and I only spotted this scene by turning away from that subject. I might never have “found” it again if it hadn’t been for the coincidence of seeing my friend’s photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Winter Trees at Sunrise

Three Winter Trees at Sunrise
Three winter trees in soft sunrise light on a misty Central Valley morning.

Three Winter Trees at Sunrise. © Copyright 2023 G Dan Mitchell.

Three winter trees in soft sunrise light on a misty Central Valley morning.

This is another photograph from my first-week-of-March visit to the Central Valley. My objective was to photograph migratory birds one more time before their March departure for the far north. Once on the scene my goals shifted more towards landscape photography, as many of the birds had dispersed a bit more widely than usual and were in areas that were not accessible. Recent heavy California rains had produced pooling water nearly everywhere, so the birds were not all in their familiar locations. Fortunately, the trees had not moved.

In other recent posts I have mentioned the surprise appearance of tule fog on this morning. The day started out crystal clear, and lacking the expected bird subjects I decided to photograph these trees at sunrise. I was so intent on this that the slightly muted quality of the light didn’t trigger my “maybe there will be fog” instincts. But when I look at this photograph now I can see that the conditions were already starting to develop. But at the moment I made the photograph, all I saw was the soft, reddish sunrise light on the trunks of these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.