Tag Archives: landscape

Before The Dust Storm

Before The Dust Storm
Just after dawn, the precursors of a day of Death Valley dust storms

Before The Dust Storm. Death Valley National Park, California. April 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Just after dawn, the precursors of a day of Death Valley dust storms

I’ve been through a number of desert dust storms in and around Death Valley National Park — ranging from minor “dust blowing through the campsite” events to “damaging to my vehicle” events. (The latter was some years back as I left the park and headed out to highway 395 and, as I later found out, drove through record-breaking wind and driving dust and sand, to the permanent distress of my windshield.) It is fair to say that my feelings about such conditions are mixed. Frankly, they are very unpleasant — the dust gets into everything, from clothes to eyes to camera gear, and it is almost impossible to do much of anything if you are inside a really bad storm. In fact, near the end of the day on which I made this photograph we simply had to hunker down indoors for several hours and wait for it to stop. But there can be a kind of terrible beauty in these events as well, and if you are cautious you can photograph them.

I recall a day many years ago when I started to make sense of the antecedent conditions that lead to such storms. It was the final day of a Death Valley visit and I was down along the southeast part of the main valley, when I noticed a kind of fuzzy glow in the atmosphere. I made a few photographs and headed north to leave the park, and within an hour or so I was engulfed in a huge cloud of dust. On the day I made this photograph we went to a high overlook along the top of a mountain range to photograph dawn light. This time I recognized that strange, milky atmosphere, seen along and above the Black Mountains in the distance in the photograph. The morning was, indeed, quite beautiful. But it was only hours later that we began to see dust above us — even though we were thousands of feet up in the mountains — as a giant storm developed, and by the time we returned to the bottom of Death Valley in the mid-afternoon one of the biggest dust storms I have seen enveloped the area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Monolith, Trees, Snowy Ledge

Monolith, Trees, Snowy Ledge
A band of resilient trees growing on a snow-covered ledge at the base of a granite monolith

Monolith, Trees, Snowy Ledge. Yosemite National Park, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A band of resilient trees growing on a snow-covered ledge at the base of a granite monolith

By the time this photograph appears at my website and on social media, the snow at the base of this famous monolith should be long gone — having melted, flowed down in rivulets to join the rushing Merced River, crossed into California’s Central Valley, perhaps reached the San Francisco Bay, and even made it out into the Pacific Ocean.

These trees, growing on a narrow ledge at the base of one of Yosemite’s most famous and visible granite faces, always draw my attention. Their location is impressive, but so is the fact that they have managed to grow relatively straight and tall while located in a world of rock, most of which came from (and continues to come from!) weathering of the giant monolith above. Winter snows highlight their dark forms more clearly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Panamint Valley and Mountains

Panamint Valley and Mountains
Looking into Panamint Valley and toward the Panamint Mountain Range

Panamint Valley and Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking into Panamint Valley and toward the Panamint Mountain Range

When most people think of Death Valley they probably think of incredibly hot desert conditions. Those conditions are real, and are among the reasons that I do not visit the place during the warmer times of the year. But the conditions are quite a bit more varied than that reputation would suggest. I have been snowed on in Death Valley — on one memorable occasion photographic desert wildflowers in a snow storm! — and I have encountered temperatures ranging from over 100 degrees to below freezing. The variations are related to seasons (there are some very cold places here in the winter!) and to elevation, which ranges from below sea level to over 11,000′.

This photograph captures a range of those conditions in one image. It was a pleasantly warm, though cloudy, day as I left the park. The winds were howling down below in Panamint Valley, where a dust storm was beginning to kick up. Winter snow was still thick on the highest peaks of the Panamint range, and an incoming storm was developing and promising more precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Urban Fishermen, Dusk, San Francisco Bay

Urban Fishermen, Dusk, San Francisco Bay
A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

Urban Fishermen, Dusk, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

During the last weekend of April I joined a group of fellow street photography and night photography enthusiasts in San Francisco. We met up for dinner in the Chinatown district, and afterwards we wandered down to the Embarcadero and the waterfront, busy with tourists at this time of year. Ultimately we ended up in a spot very popular with such folks, a pier the affords walking access to the waters of the bay. I spent perhaps a half hour out there photographing: people, the bay, passing ships and boats, the City skyline.

These urban fisherman are a regular part of the San Francisco urban scene and they represent a sort of intersection between the human and the natural worlds. They are everywhere along the City’s waterfront, and often are fishing within earshot and “eyeshot” of the busy urban scene. Stop and think about what this means and there is a lot to ponder. Even in a busy and fast-paced place like San Fransisco, it is possible to walk a few feet and find yourself standing quietly above the bay in dusk, perhaps with a few friends — one way to help maintain sanity in the urban world. These guys appeared to be finishing up for the evening and were simply standing around and talking as they packed up and as tourists stopped to watch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.