Tag Archives: landscape

Mountains and Lake, Autumn Haze

Mountains and Lake, Autumn Haze
Hazy autumn light at dawn on Mono Lake and desert mountains

Mountains and Lake, Autumn Haze. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hazy autumn light at dawn on Mono Lake and desert mountains about autumn light in California.

I’ve written about the “golden” color, the muted quality, its softness, and otherwise tried to put my finger on what it is. I’ve known, for example, that something special happens to the light in the Sierra from late September onwards. But I’ve never been able to quite put my finger on the nature of the change. Is it the angle of the sun, changing weather, the colors of vegetation, or something else? It finally occurred to me — sometimes I’m slow! — after all these years that this is the wildfire season in the state and that this might be an important factor.

It surely is a factor in this early October photograph of morning light over Mono Lake. I’ve been poking around this area and making photographs for years, moving more and more towards images that are about the gigantic spaces and forms of this remarkable lake and its surroundings. On this morning I had gone to a different location, high above the lake, from which I had an overview of much of the lake and out to the east toward the rising sun as that autumn haze filled the air, muted details of the landscape, and filled the atmosphere with warm, golden light.

For decades I have recognized the obvious, that there is something different and special


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Early Fall Aspen Color

Early Fall Aspen Color
Early fall color among small, high elevation trees east of the Sierra Nevada

Early Fall Aspen Color. East of the Sierra Nevada, California. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early fall color among small, high elevation trees east of the Sierra Nevada

Back in the middle of September, several weeks before I would usually begin photographing autumn aspen color in California’s Sierra Nevada, I visited the range for an end-of-summer trip and with the idea that I might do some pre-autumn reconnaissance in order to try get some idea of what the fall color season might bring at the beginning of October. It was my plan to camp in Tuolumne Meadows, hiking and camping and photographing there, but also ventured out a bit further, especially to the east side of the range.

As expected, it wasn’t really fall color season just yet, however I did encounter much more color than I would have expected — enough, in fact, to do more than just look around. Before the trip was done I made “fall” color photographs in several locations on the east side of the range, but I also ventured further east of the Sierra to some high desert areas and other mountains where I’ve been poking around looking for color in the past few years. I had a hunch about one high ridge where I had explored back roads earlier and from which I knew there could be long views, including those back toward the eastern escarpment of the Sierra. Somewhat to my surprise, I found a lot of aspen color out here. Although much of it was in what might be termed “scrub aspens,” the color was impressive and many of the groves stretched into the distance over high mountain ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire Smoke, Early Morning

Wildfire Smoke, Early Morning
layers of thick wildfire smoke obscure the morning light

Wildfire Smoke, Early Morning. Along US 395, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

layers of thick wildfire smoke obscure the morning light

This was the culmination of more than twelve hours of observation of a developing wildfire located east of the Sierra Nevada, roughly between Lee Vining and Mammoth Lakes. The previous evening I finished a hike into the Sierra backcountry not far from Tioga Pass, returning to my car well after sunset. As I drove back down Lee Vining Canyon in the near-darkness I saw a big tower of smoke to the southeast and the tell-tale glow of fire on the bottom of the cloud. The next morning I woke up and headed straight back toward Mono Lake, from which I figured I could photograph conditions related to the fire.

I began photographing Mono Lake itself, where the lake was still mostly visible with only a few thin smoke clouds floating over it. But very soon this changed as winds brought the smoke right over Mono Lake, casting a pall over the scene all the way up to Conway Summit. My goal was to head south along the eastern escarpment, but as I did so the smoke only became thicker. I made this photograph at a point closer to the fire, where the smoke was very, very thick, enough so to take away most of the sunlight and add a post-apocalyptic quality to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.