Tag Archives: leaves

St. Pierre Cathedral, Autumn Tree

St. Pierre Cathedral, Autumn Tree, Montpellier
“St. Pierre Cathedral, Autumn Tree” — A nearly bare autumn tree in front of the St. Pierre Cathedral, Montpellier, France.

This is another photograph from our walk past the impressive St. Pierre Cathedral in Montpellier, France when we visited this past December. Our walk first took us the monumental south end of the cathedral, an imposing structure with two gigantic columns supporting an exterior arch. From there we continued around the east side, where it was still mostly quiet. Rounding the north end, we saw much more vegetation, including this tree with the last few autumn leaves.

I decided to go with a monochromatic interpretation of this photo of a detail of the north end of the cathedral. The main challenge was in how to make the leaves more visible, but we do have more leeway in post with black and white. Here I essentially applied a filter (as we used to do at the time of exposure) to brighten the tones of the leaves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tulip Bud and Leaves

Tulip Bud and Leaves
“Tulip Bud and Leaves” — A spring tulip bud, just before blossoming.

This photograph is the result of something I rarely do — post the same photograph in monochrome and color versions. I shared a color version recently, but while I was working on the image in post I took a little detours and experiment with a black and white interpretation. I like both of them, though they do create different effects.

Black and white almost always has a more abstract quality to me. We know that the world is not monochromatic, so we begin to accept a wider range of interpretations as soon as we move to black and white. There’s less of the “it isn’t real!” concern with monochrome. (Not everyone realizes it, but monochrome images have historically often been the subject of extensive post-processing.) Here I think that the monochromatic version lets us focus more on the shapes and tones themselves, with less need to relate the image to something real.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Pink Tulip

Pink Tulip
“Pink Tulip” — A pink tulip blooms in late winter.

Patty is the real flower and macro photographer in our household, but sometimes I tag along and give it my best shot. There is a large garden on the grounds of an old San Francisco Peninsula estate that is a favorite of hers — she has a membership and visits regularly to photograph whatever is in season. In early March that meant it was tulip season, so I accompanied her for a morning of photographing these (and a few other kinds of) flowers.

We had great conditions for this subject. Direct, harsh sunlight is not your friend when photographing the subtle colors, shapes, and textures of these flowers — and this morning featured overcast, a bit of light rain, occasional muted sunlight, and lots of shady areas. I photographed this tulip in wonderful soft light that tends to fill in shadows and reveal details that would be missing in high contrast light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tulip Bud and Leaves

Tulip Bud and Leaves
“Tulip Bud and Leaves” — A spring tulip bud, just before blossoming.

While a field of wildly colorful tulips is impressive and hard to resist, I like photographing individual flowers, usually before they are fully bloomed. I love the transition from the early green buds, though the first tentative appearance of the flower’s color, to the moment when the blossom begins to open.

This one is at the state where its eventual color is just starting to appear, taking over from the green early-bud stage. At the upper tip, especially, there is a bit of yellow and a tiny spot of pink. By the way, with this photograph I’m going to do something a little unusual for me: before long I will share a monochrome interpretation of the same image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.