Tag Archives: lesser

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Wetlands Cranes, Dawn

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Wetlands Cranes, Dawn
A flock of sandhill cranes at a wetland pond at dawn.

Wetlands Cranes, Dawn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes at a wetland pond at dawn.

This group of sandhill cranes was “hanging out” along wetland ponds earlier this autumn, standing quietly in the soft light of a foggy morning. These noble birds are found across vast areas o f America, and at this time of year they visit more southerly locations. When I go out to photograph migratory birds, one of the things I look forward to every time is opening my car door when I arrive before dawn and hearing the distinctive call of the cranes.

From looking at a lot of bird photography (and reading some of the descriptions of it) you might think that it is a thrill-a-minute, non-stop action endeavor. You would be wrong. The reality is that much of the time is spent not photographing the birds! There’s the pre- and post-photography drive to get to these places and home again, usually done in darkness. Then there are often some very busy moments right around sunrise and sunset. Between those times there is a lot of quiet sitting and waiting, wandering around trying to find the birds, napping (!), snacking, followed by more wandering and waiting. This is not necessarily a bad thing. In a world full of constant demands and stimulation, the slow and quiet times with these birds can be restorative.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Flock of Cranes in Flight

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Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Fall, Photographs: Nature, Photographs: Wildlife

Cranes Before Sunrise

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Cranes Before Sunrise
Sandhill cranes in wetlands before sunrise.

Cranes Before Sunrise. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sandhill cranes in wetlands before sunrise.

There are many special times of day out in the wetlands at this time of year, but I love these moments just before sunrise, especially on foggy mornings. The fog, even somewhat thin fog like this, shrinks your world and makes the scene more intimate. It also mutes the light and somehow adds to the quiet and tranquility of the scene.

On this November morning I decided to place my bets on this scene, stopping here and photographing as I waited for the first direct light to strike the birds after sunrise. This hour is a time of transition for the birds, who generally start to become more active as they prepare to depart in the early light. And sure enough, by the time I finished here most of them took off in small groups.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Fall, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Crane Departure, Morning

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Crane Departure, Morning
Sandhill cranes take to the air in morning light above Central Valley wetlands.

Crane Departure, Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sandhill cranes take to the air in morning light above Central Valley wetlands.

In my experience, bird photography often involves a whole lot of sitting around, thinking about where the birds might be, stopping and watching and hoping that they will engage in some interesting behavior. The actual picture making can take up a small percentage of the total time on task, with vast slow times in between. (And that’s not even counting the long drives — usually in the dark — to get there and back.)

My photographs of sandhill cranes on this autumn morning might be illustrative. I drove two hours in darkness to get here a half hour before dawn. I followed a levee road out into agricultural and wetland country, not seeing all that many birds, at least not of the sort I was looking for. Eventually, in a place where I was not necessarily expecting to find them, I came upon a large flock of sandhill cranes in a pond. It was still before sunrise when I decided to stop and see what developed here. I made a few quick images in the low light, but then I mostly just sat there and… watched. Eventually some of the birds became more active and a bit later the first semi-directional sunrise light came weakly through the fog. And a few minutes after that happened small groups of the birds began to depart. Then they were gone and… not much else happened until I left a few hours later.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.