Tag Archives: license

Dancing Cranes

Dancing Cranes
Dancing Cranes

Dancing Cranes. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of sandhill cranes perform a courtship “dance.”

The sandhill cranes hold a special place for me in the list of San Joaquin Valley birds. Many years ago, I recall reading the work of the great American conservationist Aldo Leopold in a college class. As a young “Sierra Guy” I registered that this was supposed to be important, but my passions were with Muir and the Sierra and I was skeptical that some guy writing about some birds I had never seen could have much of interest to say about such things. To be honest, most of it didn’t sink in at the time — but as so often happens with college experiences, the seed was planted and it finally took root and grew much later. A second story: I was not at all interested in photographing birds until a chance encounter with a colleague while waiting in the espresso stand line one morning at the college. While we were standing there chatting, my friend Pauline mentioned her passion for birding and described a place further north in the Central Valley. I was going to photograph that weekend but didn’t have specific plans, so I more or less figured, “what the heck, might as well go check out this bird place.” The embarrassing fact is that I had lived decades in California with (almost) no idea of the astonishing numbers of migratory birds that make their homes here. One visit to this place my friend mentioned and I was hooked.

While the geese are my primary excuse to go photograph birds, over time I’ve become more and more fascinated by the cranes. There is nothing like arriving before dawn where they hang out and hearing their haunting cry carrying over the wetlands, unless it is the sight of a nearly perfect line of them, wings moving slowly, as they follow their level trajectories above the landscape, especially when it is a bit foggy. During the day they often seem to collect in groups, quietly feeding on pasture land. In the evening (and occasionally during the day) vast numbers of them coast in to land. And then there is “the dance.” Among a seemingly quiet group of cranes, mayhem erupts as small groups collect together and take turns jumping into the air in what I understand to be a courtship ritual.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret and Heron

Egret and Heron
Egret and Heron

Egret and Heron. San Joaquin Valley, California. January 19, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A great egret and a blue heron in low-level flight

Recently I’ve been thinking about how to make my wildlife photography more efficient. Sometimes I return from a day of photographing birds and other fast-moving critters to find that I have many hundreds or even more than a thousand photographs to sort through. There is a limited supply of pixels in the world, and don’t want to be the one responsible of using them all up. Today it occurred to me that it is wasteful to photograph only a single species in each frame, so I’ve decided to double my efficiency as a photographer and strive to capture two in each shot.

Extracting tongue from cheek… on this trip to photograph San Joaquin Valley migratory birds and other subjects I encountered several of these odd pairings of a single egret and a single heron hanging out together. This was the first pair, and it was quite a surprise. We were creeping along a dirt levee road very slowly in our vehicle, keeping an eye out for interesting birds, and I half expected to see the egret. I had my camera sitting across my lap as I drove, and I probably would have stopped for a(nother) close who of an egret in flight. But right on the heels (tail feathers?) of the egret, a beautiful blue heron followed it across he road — and almost without thinking I quickly grabbed my camera and tracked the two of them as they flew to the left of the vehicle, managing to make a short string of exposures including the two of them together.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tule Fog, Marsh

Tule Fog and Marsh, with a passing bird
“Tule Fog, Marsh” — Thick tule fog obscures the view of a central California marsh

These conditions are among my favorites out in the Central California wetlands — silent except for the calls of birds, almost nothing moving, fog so thick that details quickly disappear, and a gentle glow from sun above the shallow fog layer. Mornings like this one remind me that the photography is about something deeper than getting a clear shot of another bird — it is about somehow trying for that merging of capturing and evoking the mood of such a place, and about personally experiencing the thing.

Subtle and uncontrollable things come into play. I have to slow down a lot and look for compositions in place that are not at all obvious, and the subjects from which I can select are limited to those that are very close. Some elements of the composition exist almost on the very edge of visibility — in this photograph there is a further extent of the tules that is barely visible at all. Focus isn’t easy, and I may choose to “go with the softness,” as I did here. And the bird, suddenly appearing at the lower left, turns out to be utterly unpredictable yet important to the overall effect of the image.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Airborne Ross’s Geese

Airborne Ross's Geese
Airborne Ross’s Geese

Airborne Ross’s Geese. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A huge flock of Ross’s geese takes to the air over the San Joaquin Valley

I saw a few geese the other day. And then I saw this mob scene. I spent a day out in the San Joaquin Valley, photographing foggy landscapes and migratory birds. I had spent the morning making a couple of laps of the area as the fog went from pea soup to a slightly thinner broth, and I finally took a long break for lunch after photographing (and video-recording!) a huge group of sandhill cranes that lifted off from very close to my position. After this break I took a long look around the area from a slightly higher point of view, and I noticed a very large flock of geese nearby, but in a place where I would have to make a long driving loop to reach.

So I set out on this loop, pausing to photograph a hawk. Then some egrets, including one that had hunted down a mouse that was too big for it to swallow — more on that later. Then some watery landscapes. Then some ibises. When I finally made it around the loop and returned to the spot where I had earlier spotted the huge flock of geese… they were gone. Again I looked around, this time including looking outside of the fence area where I was and across the road, and over there I spotted a very big flock, most likely the same group I had seen earlier. I headed over across the road, parked my car, and got out to walk along a stock fence and make some photographs. (I suppose this does answer the question, “Why did the photographer cross the road?”) Soon even more geese showed up until the feeding flock stretched off into the foggy landscape. When this many geese settle in together it is virtually inevitable that sooner or later something will set them on edge and suddenly the entire flock will lift off in a wild cloud of birds… so I waited. Then this happened.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.