Tag Archives: light

Photographs: Central California, Photographs: Nature

Pond, Clearing Fog, Morning Light

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Pond, Clearing Fog, Morning Light
Water plants and clearing fog in morning light over a wetland pond

Pond, Clearing Fog, Morning Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Water plants and clearing fog in morning light over a wetland pond.

Luckily for me, I live in a part of the world with lots of opportunities to find watery landscapes that may be affected by fog, mist, clouds, rain, and even a brilliant sunrise or sunset. I live less than an hour from the California coast, and only a few hours from spectacular places such as the Big Sur Coast and Point Reyes National Monument. There are many other places not far away that feature this things — water, light, and atmosphere — and if I visit at the right times I get the bonus of quiet and stillness.

I made this photograph on one of those foggy mornings near water. The sun had come up already and the spectacular dawn and immediate post-dawn light was gone. But as the sun rises it also warms the air, and the fog begins to thin and dissipate. When I came upon these interesting water plants, going to brown at the end of their season, the air had cleared enough to begin to reveal more distant details under the soft but directional light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning, Fog, Surf

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Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: England, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Blue Door

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Blue Door
A blue door in gentle light and surrounded by a monumental door frame, London

Blue Door. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue door in gentle light and surrounded by a monumental door frame, London

A door, somewhere in London, but I’m now not sure where! I could probably come closer to locating it if I were to go back through the rest of the raw files from this day, but I think it may have been near our hotel, which was a short walk from Paddington Station and not far at all from Hyde Park. I know that we went out more than once for walks in this area, including the morning when I believe I made the photograph.

The doorway seems remarkable to me in several ways. The huge framing is quite something, and not much at all like anything you would typically see in the US, at least not in my part of the country. The frame is so monumental that it has the effect of either making the doorway seem twice as large as it really is… or of making the actual door seem very small. The color of the door is beautiful and something of a surprise given the other colors in the scene. And the light striking the door obliquely from the left seems very beautiful to me.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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