Tag Archives: light

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands And Mist

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Headlands And Mist
Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Headlands and Mist. © Copyright 2018 G Dan Mitchell – all rights reserved.

Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Today I continue with photographs from my visit to the upper Big Sur coastline in the middle of December, on a day when distant Gulf of Alaska weather fronts were sending giant surf crashing against the beaches, sea stacks, and cliffs. This is perhaps my favorite set of conditions for California coastal photography — a clear, post-storm day with giant surf that raises a layer of mist along the shoreline. When I see reports of such conditions I try my best to get over there quickly!

On the drive down, even as I passed Monterey Bay I could see the effects on the water. Waves in the bay didn’t seem unusually large, but off in the distance I could see the land at the northwest end of the Monterey Peninsula where gigantic white breakers created a line against the horizon. Once I got south of Carmel and right next to the coast the picture was even clearer, and I soon stopped on a bluff to get “up close and personal” (but from a safe spot) with the show. I made this photograph a bit further south in a spot that I’ve photographed many times. Here there is a view across several rocky ribs at the water’s edge and on to a taller hill beyond — and I know this as a spot with great potential for surf and light and for raising clouds of spray and mist.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Autumn Tree, In The Light

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Autumn Tree, In The Light
An autumn tree emerges from fog and haze in morning light

Autumn Tree, In The Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

An autumn tree emerges from fog and haze in morning light.

I found this tree, still with full late-season fall color, standing in the middle of a pasture. (If you look very closely you just might be able to spot some cattle.) It was a very foggy morning — mostly quite gray and colorless — until the fog finally began to thin and filtered light started to break through.

It is easy to pass through California’s Great Central Valley and miss its beauty. It is true that the air can become stagnant and that freeway driving isn’t conducive to seeing beyond the traffic in front of you. But get off the main roads, drive a bit more slowly, start very early and stay out until the sun sets, and there is a lot to see.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night

Roll-Up Door, Night

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Roll-Up Door, Night
“Roll-Up Door, Night” — A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Doorway, Heidelberg

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Doorway, Heidelberg
A graffiti-covered doorway on a narrow Heidelberg street

Doorway, Heidelberg. © Copyright 2018 G Dan Mitchell – all rights reserved.

A graffiti-covered doorway on a narrow Heidelberg street

To the extent that a photograph can be “about” things — I tend to think that a photograph “is” a thing — this one is perhaps about my obsession with geometries, about light, and about the door, with its graffiti, and what that might tell us about the door and how people here treat this “street art.” And by “about” I don’t necessarily mean that it tells us about these things — more that it may be about questions raised by such things.

The doorway is on a back street in the old part of Heidelberg, where we wandered on an August day earlier this year. These colors and this sort of paint and decoration seem fairly characteristic of this area. As we walked, the left side of the street was in shadow and the right was struck obliquely by sunlight that was somewhat softened by hazy cloudiness. Without that filtering the light would likely have been almost to stark for the photograph. Here I notice, as I did with an earlier photograph from Amsterdam, that there seem to be some “rules” constraining the application of the graffiti. It is on the door but not, for the most part, on the walls. Oddly, it all seems to be in black or other very dark colors. (I actually wonder if it was created by the people who live/work in this building.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.