Tag Archives: light

Riverbank Trees, Winter Light

Riverbank Trees, Winter Light
Bare winter trees along the Merced River, Yosemite Valley

Riverbank Trees, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare winter trees along the Merced River, Yosemite Valley

There are many interesting things in Yosemite Valley. (“Duh!,” right?) The big, iconic features are well-known, but wander away from those a bit and you are bound to find more things worth exploring — trails, bends in the river, groves of trees, meadows, boulders, views of less-known cliffs, hidden seasonal waterfalls, and even historical human structures. Wander in the right directions at the right times and you may even find something approaching solitude in this busy place. (You’ll increase the odds if you do your wandering at times other than the summer tourist season.)

This photograph only required a small bit of wandering, since the walk to this spot is quite short. One of may photography habits in the Valley is to seek out “edges” — where shadow and light meet. These places produce all kinds of wonderful effects, including the possibility of somewhat subdued light and the opportunity to place brightly lit subjects against darker backgrounds. These trees provided such an opportunity, as the long shadows of cliffs along the north side of the Valley were growing across the Valley floor, leaving the riverside trees in low, late-afternoon sun while the background subjects had already fallen into shadows. The stark winter light, nearly devoid of color, produced an almost monochromatic scene with only subtle hints of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Forest, Evening Light

Meadow, Forest, Evening Light
Soft evening light and haze illuminate a meadow clearing with silhouetted trees

Meadow, Forest, Evening Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Soft evening light and haze illuminate a meadow clearing with silhouetted trees

It was late on a clear winter day, and I found myself in Yosemite Valley, in an area of trees and meadows. My first objective was group of riverside trees that were catching the early evening light coming up the Valley from the west. Soon the cliffs along the north side of the Valley cast shadows across these trees, so I moved on, following the shadow-sun line to the southwest as I crossed meadows.

Ahead a row of trees cut across the meadow along the route of a trail. A management fire was burned a bit to the west — incinerating trees that died in the drought of the past few years — and the smoke drifted, producing a gentle haze in the evening light. I found a break in the trees, with a meadow and back-lit trees on the far side, and above more trees fading into the haze toward faint cliff silhouettes. I made a quick series of exposures, and then then light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Granite Cliffs, Last Light

Granite Cliffs, Last Light
The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Granite Cliffs, Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Late last month I had the good fortune to spend a week in Yosemite, thanks to the Yosemite Renaissance artist-in-residence program. Their generosity provided me with a warm place to stay in the park and, most important, with time to chase photographs in the Valley and elsewhere. (With the onset — finally! — of winter weather in the park, it also gave me lots of opportunities to practice my winter driving skills!)

The Valley is, of course, filled with wonderful and well-known icons. Like virtually everyone, I photograph those, too, particularly when special conditions bring the possibility of special and different light and atmosphere to those familiar subjects. However, over time I have become more interested in other little bits of visual interest that don’t necessarily reflect the best-known features. On this evening I was at one of the most famous locations — with the promise of light snow, drifting clouds, and evening light breaking through. I make a habit of scanning the entire 360 panorama around me, even when the most obvious subject is in a 45 degree vector straight in front, and near the very end of the day a beam of sunset light passed across a rocky outcropping to my left, producing intense light on the rocks while the evening’s blue and purple colors began to fill the canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dead Trees, Clearing Storm, Sunset

Dead Trees, Clearing Storm, Sunset
A winter storm clears to sunset light above forest of dead trees

Dead Trees, Clearing Storm, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

A winter storm clears to sunset light above forest of dead trees

The Sierra Nevada has been under stress for the past dozen years of so. (Technically speaking, some of these stresses have been building for longer than that, but the effects have become acute more recently.) Much of this is related to outlier weather/climate conditions and the secondary effects they have caused. The range has become much warmer. There are well-documents studies tracing the rising elevations of species of plants and animals adapting to this change. Recently the range has also experience some virtually unprecedented (at least in historical times) dry conditions, with a five-year period of tremendous drought broken by last years record precipitation, and then followed by what looks to be another very dry year this season. (We are getting some late rain, but not likely enough to make up for very dry December and February periods.) All of this affects forests it many ways, though two are obvious. The Sierra has always experienced wildfire, but recent fires have been extremely intense, going beyond the natural “pruning” effect to utterly destroy whole forests, and the areas affected by this destruction are huge. And in the wake of the drought conditions, beetle infestations have killed of tens of millions for trees.

This destruction is plain to see, and especially so to those of us who have visited the range for many decades. I sometimes imagine that new visitors driving through some denuded areas simply assume that this is “how it is” there, but others of us recall passing through deep forests in those places. As all of this has unfolded, I’ve tried to find beauty in such places — and it is there to find. These snags are on the side of a ridge, perhaps at the 5000′ level or so, on slopes facing west toward the foothills and the Central Valley beyond. It was snowing on this evening in the mountains, but I was near the western edge of the storm, and near sunset the snow diminished and the clouds thinned, and sunset light began to light the remains clouds and precipitation from behind, silhouetting these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.