Tag Archives: light

Into Evening Light

Into Evening Light
A small group of geese takes flight in evening light

Into Evening Light. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small group of geese takes flight in evening light

There are many ways to photograph birds: sharp images of birds filling the frame that reveal the details of color and shape and feathers, landscape photographs that show them in the worlds they inhabit, shots that capture them social groups ranging form groups of a few individuals up to flocks of many thousands, captures of them engaging in particular behaviors, and much more. (I’m occasionally amused by discussions of “the way” to photograph birds of or “the right” equipment to do this.)

This flock of geese suddenly took to the air as the very last golden hour light shone across this hazy landscape, and the birds were partially illuminated by the colors of the warm sunset light, but against the less vibrant colors of the local surroundings. A sharp-edged photograph was a possibility, but here I think the abstracting blur of camera motion and fast-flying birds may better suggest the feeling of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Winter Light

Tree, Winter Light
A bare winter tree and clearing tule fog.

Tree, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A bare winter tree and clearing tule fog.

On Sunday there was ground fog all over the San Francisco Bay Area, and I had a few free hours, so I headed out to see what I could find. I went to a place that is very familiar to me, a local haunt where I have hiked and photographed for decades. I had not been there in perhaps a year, so it was good to reestablish my relationship with the location and note a few changes. The little trip also reminded me that it isn’t necessary to travel long distances to find photographic subjects — quite often a closer look at nearby places will reveal worthy subjects.

The idea here was to arrive before the fog cleared, photograph in the thick fog for a while, and then be ready to photograph the brief transition period as it thinned, a time when brilliant and stunning but ephemeral light may appear. During my short drive to this location the fog remained thick, but just before reaching my destination it began to clear, likely because ground fog doesn’t stick around as long in the hills. As I parked and loaded up a light load (my lightweight trail photography setup) there were still some pockets of fog clinging to the hillsides, but in most places there was instead a sort of haze that glowed when I photographed in the direction of the sun. I’m very fond of this kind of light, so I quickly looked for subjects that I could use to advantage, and I soon found this tree standing on a grassy hillside and silhouetted against the glowing atmosphere beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Marsh, Fog

Trees, Marsh, Fog
Trees grow in flooded San Joaquin Valley marshland pond

Trees, Marsh, Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees grow in flooded marshland pond

On January 1st, New Year’s Day 2018, a group of friends and photographers gathered to greet the dawn (literally!) of the New Year, raise a toast or two, hang out, and photograph birds and the expansive landscape. It meant going to bed early on New Year’s Eve, but I can’t think of a better way to celebrate the first day of the new year. (Though that 4:00 AM alarm and two-hour drive in the dark was perhaps just a bit less festive…)

After photographing all morning the bird action seemed to slow and we all gathered for a quiet little party in a parking lot near large ponds. A bit later all of us felt like we needed a walk, so we broke off into groups and followed a trail around a marsh and to some tall trees. I was the last one to start, and I decide to simply bring along my smallest camera with a single little lens, foregoing the usual Big Bag Of Gear and Gigantic Tripod. As much as I was more of a mind to walk and think than to photograph, I couldn’t help but stop and make a few handheld photographs of the complex landscape of the marsh.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

San Joaquin Valley Moonrise

San Joaquin Valley Moonrise
Winter full moon rises over San Joaquin Valley utility lines

New Year’s Moonrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter full moon rises over California utility lines

I have to admit that one reason I made this photograph was simply because I could. Such a photograph likely could not have been made just a few years ago, and certainly not in the way I made it. The photograph is, believe it or not, handheld… using a 300mm focal length on a 100-400mm zoom lens. Because this technical capability is so wonderful, I think it is worth mentioning it in this case. The moon is relatively bright, producing about as much light as daylight on our planet. However, it does not shed much light on the landscape, yet here I was able to retain some color in the sky and even make the details of the very dark utility lines and poles visible.

The genesis of the photograph is also significant. I was not here to photograph the full moon, and I actually was unaware that it had risen. I was focused on another subject, a large flock birds assembled in twilight in front of me, when someone said, “Look over there!” I turned around and saw the moon rising through the thin clouds above the valley. I could not take time to use a tripod — I photograph the birds handheld — so I simply took a chance that I might be able to hold the camera still enough and come up with the right exposure. I grabbed a few shots, then turned my attention back to the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.