Tag Archives: light

Service Station, Billboards

Service Station, Billboards
Billboards tower over a service station in morning light, San Francisco

Service Station, Billboards. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Billboards tower over a service station in morning light, San Francisco

There are many kinds of landscapes to photograph, and I like most of them. This one happens to be an urban landscape, a subject that I like a lot. I made the photograph on one of my periodic walks through parts of San Francisco. This one, as most of them do, started at the Caltrain station very early in the morning and headed straight up toward Market Street. This gas station is right near a freeway interchange, and probably ideally situated for people arriving in or departing from downtown San Francisco.

I know that a scene like this may simply baffle some viewers, especially those who are more drawn to nature and natural landscape photographs with their depictions of unspoiled beauty. I understand. But even in the city there is beauty, and the light was especially wonderful on this morning — blue sky with scattered fog breaking up created a soft but still directional quality to the muted light. My eyes first went to the billboards, whose backsides here tower above the surrounding buildings — urban mountains or cliffs, perhaps? But alone they did not seem to make a photograph. But then I saw the light on that wall with the “PRINTING” sign, and the contrast between the blues of the sky and wall and the hot reds and yellows of the corporate colors on the gas station.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Colin P. Kelley

Colin P. Kelley
Stark light on an old building on Colin P. Kelly Street, San Francisco

Colin P. Kelley. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Stark light on an old building on Colin P. Kelly Street, San Francisco

Most often when I go out to make photographs I do not have extremely specific ideas about my subject or even about how I will photograph the subjects I encounter. Usually, and especially with street photography, it is more a matter of tuning in to my surroundings and essentially hunting, conspiring to be in places where I think I might find interesting things, paying attention, and being ready to take advantage of whatever opportunities arise. On the other hand, I often do have some general ideas about the sorts of things that might interest me, and on my way to this morning on San Francisco streets I had specifically thought about a sort of image that might be black and white and which might use rather stark light a bit later in the morning — so when I saw this building on a corner near the train station I didn’t hesitate to photograph it.

What about the name of this photograph? It was simply a practical matter. I usually do not like to name photographs in ways that tell the viewer how to think of the photograph — most often I feel that if the photograph has anything to say to the viewer, the viewer should be allowed to figure that out from the visual content. (Yes, there are some exceptions.) So in this case the choice to use the words on the street sign near the right side of the frame was simply a practical decision… especially since I forgot to look for any other name on the building! However, I did wonder who Colin P. Kelley is/was. Most likely the street is named after a man known for being “one of the first American heroes of the war [who sacrificed] his own life to save his crew” in World War II. (There are lots of interesting little San Francisco streets with unusual and surprising naming histories like this.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest Edge, Mountain Slopes, Evening

Forest Edge, Mountain Slopes, Evening
Forest edge in evening light with forest sloping upwards toward Sierra crest peaks

Forest Edge, Mountain Slopes, Evening. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Forest edge in evening light with forest sloping upwards toward Sierra crest peaks

This is most certainly not an iconic view, but I’m sure that many fellow Yosemite high country aficionados have been to this spot and gazed at this and the surrounding view. (Part of one Yosemite high country icon does appear in this photograph, but it is the bottom part.)

Earlier on this visit to the park I had walked out into this landscape to photograph in the meadow, on low hills, among trees, and alongside a river. As I passed by here again on this early evening I stopped and was entranced by the warm evening light on the trees at the edge of the meadow and by the further forest-covered slopes rising into the alpine zone and eventually above tree line to the elevations where there is little but rock and tundra plants. While the landscape often seems rather static during the day, at moments like this near the beginning and ending of the day the landscape changes dynamically as light shifts and highlights and then shadows subjects.  I had only a brief moment to make this photograph (and a couple of others) before the light lifted from the trees and left them in shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pine Trees, Morning

Pine Trees, Morning
A small grove of high elevation pine trees in morning Sierra Nevada light

Pine Trees, Morning. Sierra Nevada, California. August 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small grove of high elevation pine trees in morning Sierra Nevada light

Although I visit the Sierra frequently, it has been some time since my last real backpacking trip and even longer since I last me up with my “Talusdancers” friends. The Talusdancers go way back — to a time about two decades ago when a loosely organized group of us began joining regularly for Sierra backcountry trips that ranged from a few days to longer than a week. In early August I had the opportunity to get these things back on track, with a three-day backpack trip in the eastern Sierra with three of the old gang. I arrived before the others, was on the trail by mid-afternoon, and had set up camp and was fixing dinner before the sun set. My friends apparently got to the trailhead much later and didn’t start hiking until about 6:00 PM. As the sun was setting I heard the “holler” of my friend Owen coming from across the valley, and I yelled back to let him know I as there. They soon arrived, and I can report that there are few things more wonderful that meeting up in the backcountry with good friends you have not seen for some time!

Our camp was on a rise above the shore of a sub-alpine lake, a very familiar Sierra Nevada setting. Beyond the lake to the west the terrain rises, past more lakes and thinning trees, into the alpine zone, and eventually to Sierra crest peaks and ridge lines. To the east there was a long valley with several more lakes, ending at a drop off between the descending canyon walls, and in the far distance we could see the high desert of Owens Valley and even further off the line of the White Mountains. We camped in the midst of an open grove of small, high-elevation lodgepole pines, common Sierra trees, but always beautiful in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.