Tag Archives: light

Forest and Meadow, Evening

Forest and Meadow, Evening
“Forest and Meadow, Evening” — Soft evening light on backcountry forest and meadows, Sierra Nevada.

One of the attractions of the Sierra backcountry is deep quiet, something that gets lost in all the attention paid to spectacular peaks, wild sunrises and sunsets, flowing water, and more. From the photographic perspective, this may partly be because it is easier to reflect those powerful subjects in a photograph — quiet photographs don’t demand our attention in the same way. This is one of the quiet photographs.

We were camped very close to this scene for about a week on a backcountry trip. Like virtually all photographers, we started our work at the beginning of our stay by heading out to photograph those peaks, wildflower-filled meadows, spectacular skies, and streams cascading over rocks and through meadows. But as we settled into the quiet daily routines of the backcountry we began to notice other things — like this scene with a few trees and bit of rocky meadow in the soft evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Alpine Ridge, Evening

Alpine Ridge, Evening
“Alpine Ridge, Evening” — Golden hour light glances across a shattered, rocky ridge, John Muir Wilderness

There is a common notion that landscape photography is a slow and deliberate activity, that we stand in front of a static landscape and carefully work out the right composition as the landscape awaits. This can happen, but the landscape is often quite dynamic, particularly when it comes to changing light. Beams of light between clouds can move across the scene, sunset light is ephemeral, rain showers can momentarily reveal or obscure features.

I made this photograph near our campsite on a lovely late-summer evening. It was during the last half of our weeklong stay, so we were settling in. As the day ended we were all wandering about looking for photographs. As the sun dropped to the west, deep shadows began to fill the great valley in front of us and then creep up the slopes. A last beam of light fell across the near ridge, and then was gone moments after I photographed it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Alpenglow, Meadow

Alpenglow, Meadow
“Alpenglow, Meadow” — Evening alpenglow comes to high peaks beyond a flower-filled meadoow, John Muir Wilderness.

Since I was unable to get to the Sierra much this season — it is a long story — I’m revisiting the archives, where I find a lot of interesting photographs that were “left behind.” This one comes from a trip into a high backcountry region with a group of fellow photographers a few years back. We set up a basecamp in a high basin just over the crest, and spent a week photographing the heck out of the surrounding terrain.

I made this photograph of evening alpenglow on the surrounding peaks from a stunning meadow that we discovered about 10 minutes walk above our camp. The meadow was open to 360 degrees of alpine terrain, and it was filled with wildflowers, even though it was near the end of August. (One of our group members, stunned when he first saw the meadow, named it “******* Julie Andrews Meadow.” I’ll leave you to guess the missing word.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Blue Stone Vortex

Blue Stone Vortex
“Blue Stone Vortex” — Curving and intersecting fractures in Sierra Nevada rock under stormy skies.

While I’m often drawn to the large scale landscapes, intimate landscapes appeal to me, too. The big photos do give the grand perspective of the landscape, but I think that images of smaller elements and components of the larger scene can tell us just as much about a place. And their sometimes-abstract nature lets us see the landscape in new ways that we perhaps had not thought of.

The grand landscape was not cooperating when I I photographed these rocks. It had been raining and it was still very cloudy. Are the rocks really this color? That’s a good question! The landscape looks different under various sorts of light, and often our vision system “corrects” for this and we do not notice it. I knew that the overcast was having an effect, but until I opened this photograph (and others made at the same time) in post, I had not realized just how blue the light was. Sometimes I “correct” these strong colors, but this time I decided to go with it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.