“Stained Glass Light” — Beams of colorful light from stained glass windows on the stone floor of the Eglise de Notre-Dame Des Victoire, Brussels.
First impressions on entering old European churches like the Eglise de Notre-Dame Des Victoire in Belgium focus on the architecture, the scale, and the quietness of these places. If you have some time to wander — and you should take that time if you visit them — smaller details start to emerge. Stained glass windows originally provoked me to look up at them, but later I learned to look down at the light they cast.
The first time I understood the projected light was during a late-afternoon visit to the Sagrada Familia in Barcelona. The low angle of early evening light sent colorful beams of light everywhere. The effect at this smaller Brussels church was not quite as broadly spectacula, but its beauty still caught my attention.
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“Cathedral Range” — The distant Cathedral Range rises above Yosemite high country forests and meadows under evening clouds.
This was the scene late in the day during my early July visit to the High Sierra near Tuolumne Meadows and just east of Yosemite National Park. In the right light, this can be my favorite time of day — the sun Is nearing the horizon and the light is softening and turning golden, and shadows stretch across the landscape. I made the photograph next to a high country meadow that opens to a view of the distant Cathedral Range.
The Cathedral Range has a unique personality. It is not on the Sierra Crest, but instead runs more or less northwest to southeast between the the Tuolumne and Merced Rivers. It rises from mostly forested country to culminate in open granite terrain, with some summits that escaped glaciation and are rugged and steep.
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“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.
Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)
In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.
“Badlands and Wash” — A small wash spills from desert badlands into Death Valley at sunset.
Another recent post of a Death Valley photograph noted the interesting subjects found in remote and hard-to-access areas of this national park. This is not one of those photographs. In fact, I made it a short distance from a popular lodging and camping spot, and my tripod was set up at the back of my vehicle! The subject is eroded badlands terrain where a small wash empties into the main valley.
The terrain of this park is remarkably varied, ranging from harsh, sun-baked desert playas to high summits that can be topped with snow. Among them, desert washes emerging from canyons are a favorite of mine. I love to walk the quiet washes, and they often provide trails into deep canyons and mountain heights.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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