Tag Archives: metal

Fence and Metal Wall

Fence and Metal Wall
“Fence and Metal Wall” — The patterns of a fence and metal wall

In some ways there is not much to say about this photograph and in some ways there should be much to say about it. But that’s never stopped me before… While I could say more about the subject and the circumstances of the photograph, I don’t think it is that important to do so. I’ll limit myself to saying that I made the photograph while walking through part of San Francisco and that it lies somewhere between being a “quick snap” (which it isn’t) and an image I completely understood at the moment I made it (it isn’t quite that either).

I’ve recently read some (occasionally odd) online discussions of minimalism in photography — what it is and what it isn’t. My ideas about minimalism are only partially based on visual concepts of the “ism,” and more based on my experience with musical minimalism, which I’ve known about for quite a long time. In a sense there are two threads that may ultimately arrive at a similar place. One simply tries to create an image (or other sound/visual object) from as little content as possible. Another may include denser content but rather the representing real things in an objective way it presents patterns or processes to the viewer/listener. (Composer Steve Reich’s concept comes to mind: “Music as a gradual process.”) In both cases I think the object encourages the viewer listener to look past the (often minimal) surface content of the work and into the material and structure of the thing. How it works might be more important than what it is.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Gate Latch and Padlock

Gate Latch and Padlock
Gate Latch and Padlock

Gate Latch and Padlock. Pasadena, California. November 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Late afternoon sun on a fence with a gate latch and lock

We were in Southern California on a family holiday vacation in late November, and on the day after Thanksgiving we decided to “go do something” other than sitting around and digesting the previous day’s dinner. We planned a get-together with family/friends way up in Pasadena and the Southern Californians suggested the Huntington Library (and gardens and museums), which we had not visited before — so off we went.

We did not know what to expect from this place, but soon realized what a large and diverse and interesting facility it is. There are a number of museums on the huge grounds of the former Huntington estate, a few of which we visited (including one housing an intriguing Caponigro/Davidson exhibit), places to eat and drink, and many gardens — Chinese, Japanese, desert, and more. We walked through the Japanese garden that the start of the beautiful light time of the afternoon, when the late season sun was low in the sky and producing soft, warm light as it shone through trees and bushes on this small gate.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wall, Man Walking

Wall, Man Walking
Wall, Man Walking

Wall, Man Walking. New York City. August 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man walks on a painted sidewalk in Manhattan, New York City

I made this little “grab shot” along a narrow and curving street in New York City’s Chinatown district, probably as we were waiting for others to arrive for dinner at a neighborhood restaurant. Given the way my photographic eye works, I first noticed the pattern from the metal door and brick walls, with lines converging as the sidewalk traveled further down the street. I picked this spot because of some of the things that interrupted that pattern — the spilled paint on the sidewalk, the doors, and the utility pole.

Then I waited and watched. In almost all cases it will be little more than a moment or two before someone interesting wanders into this urban landscape and humanizes it in one way or another. I got lucky here, as this fellows attire fit with the colors of the existing scene, and I was able to photograph him just as he passed and walked across the paint-spill section of the sidewalk, with his face invisible to the camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 237, Evening

Building 237, Evening
Building 237, Evening

Building 237, Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on Building 237 at the Mare Island Naval Ship Yard, Vallejo, California

This is one of a pair of buildings that has featured in several of my night photographs at the Mare Island Naval Ship Yard, where I’ve been photographing after dark for about a decade now. The location is the site of the former and now historic naval ship yard that was the first on the west coast of the United States, being established way back in the 1800s. It was decommissioned in the 1990s, and since that time the facility changed in many ways. Parts of the island are now open space, others have been turned into urban developments, businesses and others are using some of the old buildings and spaces—yet parts of the facility have been retained as a sort of informal historic site.

The buildings in the cluster of which this one is a part are very close to the “historic core” of the ship yard. Although many of the buildings give the appearance of being abandoned, some are in use and all are kept in a sort of state of suspended animation. Almost all of my photography here has been at night, when a diversity of light sources transform it in magical ways. During the day, much of it can seem quite mundane. Buildings that are wildly colorful when lit by brilliantly colorful sodium vapor lights and other colorful light sources often turn out to be quite drab in the day time. On this visit I managed to arrive before sunset, and I headed out to see if the golden hour light might offer some opportunities for a different sort of visual transformation of these buildings, and this one was photographed during the final few minute of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.