Three Ross’s geese directly overhead against blue morning sky
These Ross’s geese obligingly flew directly over head against a blue sky and in morning light… and, no, they did not drop any, uh, payload on me. (That has happened. It comes with the territory. Someone told me that somewhere in the world – Europe? – it is considered good luck to get “bombed” by a goose. I could write much more on this topic, but I’ll restrain myself. You may thank me later! ;-)
In any case…a difficulty when shooting birds passing overhead is that the light source is often higher than the bird, thus putting the parts of the bird facing the camera into shadow. But in very early or very late light – near sunrise or sunset – the sun is so low that it can cast light on the undersides of the birds, as in this photograph. When shooting this critters as they pass overhead in flight, while I can and do think about their positions in the frame and relative to one another, in the end I have to take what the birds give me. There is a lot that I cannot control about this kind of photography. It comes down to being observant, being able to work quickly and intuitively, and a whole bunch of luck regarding the birds, the light, and the weather.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of sandhill cranes takes flight in foggy dawn light as others stand in a marsh with blackbird-filled trees beyond.
I almost feel like I know this group of sandhill cranes, as we have found them on several occasions in the same San Joaquin Valley location – and by this I mean in precisely the same spot along a levee and at the same time of day… and often in fog. The first time I “saw” them here I actually heard them more than saw them. It had been an extremely foggy morning, so thick that it was difficult to see any distance into the murk. We could hear lots of birds and certainly recognize the distinct call of the sandhill cranes. Occasionally a small group of them would momentarily emerge from the fog to pass overhead and just as quickly disappear.
On this January morning it was again foggy, but not quite that thick. When we arrived before dawn we were able to make out the large flock of the birds on the ground near the levee, though it was a bit too murky and they were too far away to get clear photographs. But as sunrise arrived, the cranes began to take to the sky in small group, sometimes passing over or near our position before departing. As this group flew across the scene, above other birds still on the ground, the faint light of sunrise managed to pierce the fog and case a bit of warm light on the flock.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Motion-blurred photograph of a flock of Ross’s geese taking flight in dusk sky above the San Joaquin Valley, California
This is another example of what I’ve taken to referring to my “blurreds in flight” photographs. (Yes, a bad pun on the common subject of “birds in flight,” also known as “bif” photographs.) Very early morning or dusk seem like good times to experiment with this, as the very dim light often pushes the ability of photographer and gear to continue to shoot as ISOs rise, apertures enlarge… and eventually one runs out of maneuvering room. Just lower that ISO and let the birds blur!
But that’s not really why I do these. While I suppose that I’m just as interested in trying to produce very sharp images of birds frozen in flight by high shutter speeds and accurate autofocus, I sometimes feel that this more clinical approach isn’t the only way to capture or express the qualities of these animals and what I can observe of their lives. In a sense, the still camera “lies” about what we can actually see of these birds when we are there and watching them. In low light, often observing from a distance, when a group of Ross’s geese suddenly takes flight in a wild maelstrom of honking and flapping wings, we really cannot see all of the specific details of each feather and the impression we have is more often one of wild motion and surprise. While I don’t think a photograph can ever fully or accurately depict this, allowing the motion to become visible by using slow shutter speeds might evoke a sense of these animals that the razor-sharp, stop-action photographs might miss.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I made this in the last moments of an early March visit to the California Central Valley to photograph migratory birds. (As I write this in late March, I’m pretty certain that this was the final “goose chase” of this winter season.) I had come across a very large flock of snow geese in a field alongside a road south of Sacramento near the end of the day – somewhat to my surprise – so I pulled over on the barely adequate shoulder of the road and photographed over a fence and some roadside weeds as the birds began to fly off in small groups.
This little episode illustrates, for me, some of the unpredictability and luck involved in photographing such birds. I don’t mean to diminish the importance of having appropriate equipment and knowing how to use it, nor of having some idea of where to find the birds. But there is a lot about this that is not in the photographer’s control. I had started the day many miles south of here before dawn at a very different wildlife site. My plans were a bit vague beyond starting there, and when the opportunities seemed a bit less than idea after the morning shoot, I decided that I would use the “blah light” midday hours to travel up the valley a good distance to another area where I had not photographed since last season. (This added bit of driving also allowed me to investigate a few highways and side roads that I had been wanting to check out.) After a long drive of nearly two hours I arrived at this location in the Sacramento area and found… not at all what I had hoped for. I was hoping for more large flocks of birds, preferably geese and/or cranes, but at the first place I stopped it seemed that formerly flooded fields had now been drained and tilled. I moved to another area, but still couldn’t see what I had in mind to shoot. I drove around a bit trying to get the lay of the land and discover if perhaps the birds were somewhere other than where I expected to find them, but aside from a few small groups I didn’t find much. I took a nap. I started the usual contemplation about how not every shoot is successful and reminded myself that it was a good day even if nothing turned up here. As sunset approached I decided to make one last loop around the area, stopping to briefly photograph a few Canadian geese. As I watched the, I caught a glimpse of the tell-tale white birds off to the north and since I wasn’t finding anything all the compelling where I was I drove off in that direction. I soon was surprised to find a field filled with many thousands of geese – and a bit more surprised to find that they (or at least many of them) were snow geese rather than the Ross’s geese I often photograph. I stood along the road, separated from them by a low fence and tall weeds and watched. Before long small groups began to take of and fly low angle paths across the field toward the setting sun. The light was beautiful but often they were in front of farmland buildings, trees, and wires. I kept shooting and occasionally a group would rise high enough and quickly enough to appear against early evening sky. One of the important factors, or at least it seems to me, is to capture the group when the birds are in a pleasing and interesting configuration. Too often they overlap, or may not have wings raised or lowered, or there distances may vary enough to create focus problems – so it is no surprise that a good percentage of the shots aren’t keepers. (I have a sense of when this is more likely to work, but only a sense.) But this group managed to cooperate nicely, not only flying against background of clear sky, heading into the golden hour sunset light, but also managing to maintain enough separation that none of them overlap at all.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
