Tag Archives: mist

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Mountains, Meadow, and Morning Mist

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Mountains, Meadow, and Morning Mist
“Mountains, Meadow, and Morning Mist” — Ridges leading to Sierra Crest peaks tower above a meadow with rising morning mist.

Tuolumne Meadows runs roughly on an east-west axis along Tioga Pass Road. Consequently, sunrise and sunset light shine along its length. Standing at the west end in the morning the sun rises just left of Mount Dana in the summer. It takes a while for the sun to rise high enough to clear the peaks, but when it does the light is intense.

I made this photograph on such a morning. After photographing a different pre-dawn subject, I headed here with a vague plan to photograph meadow subjects. From this vantage point, the sun’s backlight across the great distances produces striking atmospheric recession on the layers of mountains and ridges between the Meadows and the Sierra Crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Pond, Forest, and Fog

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Pond, Forest, and Fog
“Pond, Forest, and Fog” — Fog rising from a subalpine pond drifts through pine forest, Yosemite.

This is one of several photographs I made in this area on the morning after a significant storm moved through the Yosemite high country. It rained for hours and made photography virtually impossible. But it also primed conditions for beautiful morning fog the next day, so I was up very early and out looking for it before sunrise.

Before long I passed a small lake that I’ve known about for decades but rarely photographed. This time the scene was sublime — fog was rising from the surface of the little lake and slowly drifting into the forest. The early morning light (from the now-clear sky) illuminated the scene, but there was no direct sun to overwhelm it. I began photographing, walking slowly along the shoreline and into the forest, eventually tearing myself away in order to seek out some other subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Fog at Forest’s Edge

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Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Central California, Photographs: Nature

Wetlands Morning, Tule Fog

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Clearing fog at dawn in California wetlands.
“Wetlands Morning, Tule Fog” — Tule fog begins to clear above wetlands just beore a winter sunrise.

Some of my favorite photography conditions happen when it is difficult to see. I love photographing directly into the sunlight, in fog and mist, in marginal light, and at night. This is partly just my fascination with the complex lighting. But I think it is also about making photographs that don’t quite show it all, and which leave it to the viewer to wonder about the subjects and imagine what else might be there.

This is another of my winter Central Valley photographs, made in a place I often visit to photograph migratory birds in the late autumn and winter months. In full sunlight these landscapes can sometimes feel rather mundane. But at dawn or dusk, especially when tule fogs forms, they are transformed into moody and mysterious places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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