Tag Archives: mnwr

Wetlands, Dawn Light and Fog

Wetlands, Dawn Light, and Fog
“Wetlands, Dawn Light and Fog” — Drifting fog obscures the distant view at dawn in Central Valley wetlands.

Yes, another foggy Central Valley morning landscape. What can I say? The subject is often on my mind this time of year. While it isn’t always that attractive in the summer, during the winter months this landscape is transformed by the arrival of migratory birds, the appearance of seasonal ponds, and the tule fog. The latter obscures some of the more mundane elements of this landscape and produces a mysterious, moody atmosphere.

I made the photograph just before sunrise. The early light was coloring the sky, visible through the shallow layer of fog. The fog was already starting to drift and thin, and it glowed with the colors of the sunrise clouds overhead. The wetlands were quiet, except for the sounds of birds, and a solitary black-necked stilt stood nearby in the shallow water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Reeds, Sky, Reflecting Pond

“Reeds, Sky, Reflecting Pond” — The sky above reed-covered wetlands islands is reflected in the surface of a pond.

On the right day, in the right conditions, these wetlands can sometimes feel like they are all about the sky. Standing next to a large pond that extends into the distance, the sky above and its inverse reflective twin stretch out in front of you. They meet at the horizon, with may be defined by a thick line of vegetation, as here, or the water and the sky may merge into a single thing.

It may not be immediately apparent, but a conjunction of atmospheric effects is behind this photograph. Above, the sky is filled with thin blue-gray clouds. Lower down in the distance, a rather thick fog bank still lurks. The foreground reeds are catching a beam of direct sunlight, almost appearing stark against the background of clouds and fog ad their reflection in the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Plants, Fog

Water plants
“Water Plants, Fog” — Water plants in a wetlands pond enveloped by tule fog.

When I photograph in the wetlands I am always fascinated by plants that grow in the shallow water, and especially by the stark forms of winter-dormant plants. The background of water — often reflecting sky — lets us see the forms of the plants without the distractions that would render them hard to see in dry areas.

Here I had an added advantage from tule fog that obscured anything more than a few yards away from me. (The slightly more distant plants at upper left are already muted by the fog.) The air was also still — or the fog would have dissipated — and this helped smooth the surface of the water, leaving just enough rippling to add a bit of texture suggesting the watery background


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Morning, Tule Fog

Clearing fog at dawn in California wetlands.
“Wetlands Morning, Tule Fog” — Tule fog begins to clear above wetlands just beore a winter sunrise.

Some of my favorite photography conditions happen when it is difficult to see. I love photographing directly into the sunlight, in fog and mist, in marginal light, and at night. This is partly just my fascination with the complex lighting. But I think it is also about making photographs that don’t quite show it all, and which leave it to the viewer to wonder about the subjects and imagine what else might be there.

This is another of my winter Central Valley photographs, made in a place I often visit to photograph migratory birds in the late autumn and winter months. In full sunlight these landscapes can sometimes feel rather mundane. But at dawn or dusk, especially when tule fogs forms, they are transformed into moody and mysterious places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.