Tag Archives: mnwr

Winter Trees, Dusk

Winter Trees, Dusk
“Winter Trees, Dusk” — A row of bare winter trees silhouetted against the a colorful dusk sky.

This photograph lets me recall how we greeted the New Year. It was the same way we’ve done it for the past decade or so — joining a group of photographer friends to photograph migratory birds in the winter landscape. A few of us arrived the day before, but everyone showed up before dawn on New Year’s Day to greet the first sunrise of the new year together.

This photograph comes from New Year’s Eve. We arrived in the middle of the afternoon, in time for the late-day light. It was a quiet evening, with a few clouds forming when I made this photograph of a row of winter-dormant trees in the post-sunset dusk light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Fly-In

The Fly-In — geese arrive over a wetlands pond at sunset.
“The Fly-In” — Thousands of migratory geese arrive in the wetlands at sunset.

A day spent photographing migratory geese and other birds often includes a lot of “slow time” when little is happening. This isn’t necessarily a bad thing — sometimes the quiet and stillness is enough by itself. But around sunrise and sunset there is often a of activity as large flocks of birds take to the air and head to nighttime locations. If you are where they arrive, it is the “fly-in.” When they depart, we refer to the “fly-out.”

This huge flock of geese (almost certainly snow geese for the most part) arrived just after I went to this spot to photograph a colorful winter sunset and its reflection in the waters of a wetland pond. The flock arrived, circled, and eventually settled down on the water… and quiet returned.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marsh and Fog, Sunrise

Marsh and Fog, Sunrise, Central Valley, California
“Marsh and Fog, Sunrise” — Fog envelopes a wetlands marsh at sunrise.

This was a morning of utmost stillness and quiet. We worked our way around the perimeter of a wetlands landscape filled with ponds. Geese and sandhill cranes were beginning to stir in the first light. There was thick tule fog before dawn, and it started to thin as the sky began to lighten as the sun rose.

These wetlands marshes can be a welcome antidote to the stresses of our current world. (No, I don’t believe in ignoring the causes of that stress, just in trying to find balance.) Here things move so slowly that sometimes they barely appear to change at all. In this scene a few ducks paddled by slowly, and tiny ripples appeared in the water, while fog moved almost imperceptibly.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Crane in Sunrise Light

Sandhill Crane in Sunrise Light
“Crane in Sunrise Light” — A lesser sandhill crane flies into the sunrise light, Central Valley.

Several things had to come together for this photograph of a lesser sandhill crane to work. Obviously, the bird had to fly above me at a relatively low height. That’s not as simple as it sounds, as cranes usually divert to avoid flying over people. The light was also special — it was the warmly colored light just after sunrise, when the sun is low enough to illuminate the underside of the bird. On top of that, the bird was flying toward the sun, so the light hits it almost head-on, while appears as side light from the camera position.

Cranes can be quite beautiful birds in flight. In contrast to some of the geese and ducks found in the Central Valley of California, they tend to move their wings more slowly and often simply glide. They are big, impressive birds, too — they stand several feed tall when on the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.