Tag Archives: mnwr

Into Dawn Sky

Into Dawn Sky
A flock of Ross’s geese takes off into foggy Central Valley dawn sky

Into Dawn Sky. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes off into foggy Central Valley dawn sky

I was back in my favorite haunts in California’s Great Central Valley near the end of January, looking for migratory and other birds to photograph, along with the expansive landscapes of this region. After five years of awful drought, the Valley is now full of water again. Ponds are full and many fields have become ponds, and creeks and rivers are flowing once again. It is a beautiful thing to see! The birds are there in abundance — yet, somewhat ironically, the wet conditions have allowed them to find what they need across a larger, more friendly landscape, and sometimes they seem to not be where I expect to see them.

However, on this day there were plenty of birds — more than I’ve seen previously this year. The big flocks of (mostly) Ross’s geese are back and the sandhill cranes are active, too. My drive there was foggy, but it cleared up enough at dawn to give me some colorful sky. Bird action such as that in this photograph is pretty much a constant out here — but often not where I am with my camera! Photographing a lift off from the pond this closely, in such perfect dawn light, with subtle color in the sky depends on a lot of factors all coming together, and most of them are out of my control. The best I can do is to try to be in the right place when and where it might happen and to be ready to react quickly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Fog, Dawn Sky

Wetlands, Fog, Dawn Sky
Fog blankets Central Valley wetlands beneath the winter dawn sky

Wetlands, Fog, Dawn Sky. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Fog blankets Central Valley wetlands beneath the winter dawn sky

For Americans, the world has recently been a wild and unpredictable place, and most everyone is feeling a great deal of angst. (This is particularly true if you belong to any of many common and large groups of America — people whose ancestors were immigrants, people who care deeply about the Constitution and America’s place in the world, people who believe in a country that is open and welcoming, and those of us who value our great public lands.) While there is a lot to do and it is not acceptable for citizens of a representative democracy to turn away from the struggle, one still must take a break at times. This morning was my break.

As I usually do, I arose very early and was on the road way before dawn, completing most of a two-hour drive before the first faint light came to the eastern sky. Turning off the main highway onto narrow country roads I soon ran into winter tule fog. I love the fog, especially for photography, so I was mildly disappointed when it thinned as I reached my destination. However, there was compensation for that feeling when I realized that it revealed the beautiful pre-dawn sky above the gentle fog above these wetlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Great Egret, Airborne

Great Egret, Airborne
A great egret flies past, skimming above wetland plants

Great Egret, Airborne. Central Valley, California. January 16, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A great egret flies past, skimming above wetland plants

In some ways these magnificent birds are very accessible, but in other they can be hard to photograph in interesting ways. They are common at the locations where I frequently photograph birds, and when I have decent cover (shooting from a vehicle or similar) I can frequently get relatively close to them without scaring them into flight. The key is a very slow and cautious approach and sensitivity to the body language of the bird — there are often hints when egrets think that I am getting too close. From just outside that boundary the egrets are large enough to fill the frame in good conditions, and I have lots of photographs of them on the ground feeding. Perhaps too many!

That’s the problem. An egret on the ground is interesting, but not often quite as interesting as an egret in the air. (Grounded egrets can be beautiful in the right light and with the right background and so forth.) In flight they are beautiful birds, typically using slow wing motion and often gliding, and they assume impressive poses when taking off and when landing. However, the lift off is sudden and the flight path typically takes the bird away from me. But sometimes I get lucky, as I did with this specimen. I was actually unaware of its presence and, in fact, it may have been unaware of mine. I had stopped to photograph something else when the bird suddenly flew into range from my left and passed in front of me as it made a gentle turn around my position. I’ve learned to react fairly quickly and to get the camera up and tracking, but in the best of circumstances it is still a challenge. The first couple of frames are almost humorously off-target, but then I found my subject and centered it in the frame as it passed by very closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetland Pond, Reflected Sky

Wetland Pond, Reflected Sky
Late afternoon light on a pond reflecting the winter sky

Wetland Pond, Reflected Sky. Central Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon light on a pond reflecting the winter sky

I made this photograph during our annual New Year’s Day visit to the migratory birds of California’s Central Valley, something that has become more or less a tradition during the past few years. The idea is to join a few like-minded friends to greet the literal dawn of the new year, and to then spend the day photographing. The only problem with this as a New Year’s Day celebration is that we have to get up at about 3:30 AM, making it somewhat difficult (or at least unwise!) to stay up until midnight the night before.

This time we arrived, as always, very early, and spent the morning working our way around the vicinity trying to figure out where the best locations would be for photographing the birds. The usual schedule has us photographing for a few hours into the late morning, then taking a sort of time out in the middle of the day — often including a nap to compensate for that early wake-up call — and then resuming the wild goose chase at some point in the afternoon. Late in the day we were still trying to decide where we wanted to be for sunset, so we drove a gravel road that took us past this pond on our way to a likely goose roosting spot — and I saw this beautiful reflection of the winter sky along the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.