Tag Archives: monochrome

Photographs: New York City, Photographs: Urban/Street

Summer Evening, Little Italy

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Summer Evening, Little Italy
People crowd the streets of Little Italy on a warm summer evening in Manhattan

Summer Evening, Little Italy. New York, New York. August 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

People crowd the streets of Little Italy on a warm summer evening in Manhattan

For some reason, I too often find myself in New York in the middle of August. Not that I dislike New York — actually I love the place, for wandering, for photography, for museums, for food, for many things. It has been almost six months since I was last there and I already feel like I’m overdue for a visit. The issue is with August. As my sons, who live there, have told me, August is perhaps the least comfortable time to visit. it tends to be hot and muggy, and this is why many New Yorkers pick this time to be somewhere else.

But even though I know this I have probably made half of my New York visits during this month. It has become almost a standing joke in our household. On this 2014 August day we had been in Chinatown looking for food, and afterwards we walked up and into Little Italy, where on summer evenings like this one the streets are filled with people, looking for espresso and gelato.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Light on Granite Slabs

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Light on Granite Slabs
First light reflects on smooth granite slabs, Yosemite Valley

Light on Granite Slabs. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

First light reflects on smooth granite slabs, Yosemite Valley

These smooth slabs of granite are at the base of Glacier Point, wrapping around it and roughly following the contours of the Merced River’s path as it rises toward Vernal and Nevada Falls and the High Sierra far beyond. I love large expanses of smooth granite, but the curving quality of this stretch is special and different from most other cliff faces in the Valley.

I had looked at this face the previous morning but did not photograph it, so on this second morning I headed straight out to a spot where I thought I might get a clear view as the first light come over higher ridges to the east and flowed across the granite. We can regard this as an interpretation of the scene, as the granite is perhaps not this dark — but brilliant sunlight reflections, enhanced by snow patches and melting water, made portions of the scene incredibly bright.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects

Building In Muted Light

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Building In Muted Light
Cloud-muted light on an urban building near SFMOMA

Building In Muted Light. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Cloud-muted light on an urban building near SFMOMA

This building is becoming something of a theme for me, and I often end up treating it in black and white. I made the photograph from one of the outdoor terraces high on the side of the new section of the San Francisco Museum of Modern Art (SFMOMA), from which there are interesting and varied views of the surrounding downtown San Francisco neighborhood. This building is perhaps the closest to the museum, and its form and the texture of its surface are interesting.

I originally thought that it would be a color photograph. The soft light played in interesting ways on the subtle colors of the stone and the pastel color of the windows. But the more I worked on it the more something persuaded me to let go of that nod to realism and instead go with a rather highly processed monochrome interpretation. There is a school of architecture photography that makes heavy use of techniques that darken areas of the image and then compensate by selective lightening. This is often complemented by some techniques involving blur — a sort of masking effect. I used these and more, including some heavy dodging and burning to get this photograph to what you see here — perhaps for no more reason than that I wanted to explore some of these techniques.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Europe, Photographs: Italy, Photographs: Night, Photographs: Travel, Photographs: Urban/Street

Hotel, Narrow Street

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Hotel, Narrow Street, Florence
“Hotel, Narrow Street” — A hotel sign above a narrow Florence street at night

Out for an afternoon walk on our last full day in Florence, Italy on this visit, we kept walking as night arrived. We only had a few days here at the end of a long trip, so we were trying to make the most of a short stay. Our hotel was in the old section of the Florence, so we could walk out the front door onto one of the very narrow old streets and head off in any direction and find interesting things.

At this point, nearly a half-year later, I can’t remember precisely where I made this photograph, though it may have been roughly in the neighborhood between our hotel and Duomo. There were a lot of people out walking on this warm evening, and many of my other photographs of this street included pedestrians and cyclists, but I think I ended up liking this deserted view with the street winding past the backwards “hotel” sign and then curving out of view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.