Tag Archives: monochrome

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Man in Blue, One Way Corner

June 5, 2015 G Dan Mitchell Leave a comment

A man in blue walking past a barren San Francisco street corner

This is a street photograph from one favorite corner in downtown San Francisco, where the buildings are tall enough that I can often photograph subjects in soft light. In addition, the buildings and the street are not very colorful, allowing whatever the subject bring to the scene to become more important.

Often when I make photographs like this I think a bit like a landscape photographer. I find a configuration of fixed subjects that interests me, I try to create some kind of composition out of it (usually working very quickly) and then I watch for a person or persons to walk into and through the scene. This time the two components happened almost simultaneously. as soon as I saw the one-way sign on the corner and realized I wanted to photograph it I also saw this man crossing the narrow street and heading toward it — and I had just enough time to lift the camera, frame the scene, and photograph him between the sign and the fire hydrant, and at the closest point on the sidewalk.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photograph Exposed, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

May 29, 2015 G Dan Mitchell Leave a comment

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.

I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.

Among them is Charlie Cramer, who I’m fortunate to count not only as a photographic influence, but also as a friend. Charlie’s way of seeing light appeals to me a great deal, and among the photographs of his that stick in my mind is one of some very similar trees at this exact lake. When I’m in a place where another photographer’s photograph immediately comes to mind I often feel cautious about making a photograph that might look too much like their work — and this one may be an example of “influenced by” but “not like.”

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Photographs: Austria

Lamp, Shadow

May 27, 2015 G Dan Mitchell Leave a comment

A lamp casts a shadow across a textured wall, Salzburg, Austria

This is another take on the ubiquitous Salzburg lamps found attached to the walls of many buildings. In the afternoon the light passes right across the textured surface of this wall, producing shadow that is much longer than the lamp itself.

I don’t know what the actual story is regarding these lamps, but once I recognized them I started seeing them all over the place around Salzburg, attached to the walls of various buildings and braced by a pair of curving metal pieces. In many places their locations seemed almost haphazard to me.

All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lake, Rocks, and Clouds

May 26, 2015 G Dan Mitchell Leave a comment

I recently revisited this older photograph, one that I had shared in a color rendition in the past, and this time I felt like I wanted to see it in monochrome. This is a sort of scene familiar to anyone who has spent much time in the high country of the Sierra Nevada, that region where lakes, large sub-alpine meadows, sparse trees, and surrounding peaks come together to produce a landscape like no other.

I often visit this lake, typically several times each season. I go there for several reasons, ranging from practical to aesthetic. The lake is not too far from roadways, and sometimes I have just enough time on a late afternoon to park my car, load up my pack, and do the short, steep hike up and over a nearby ridge to get to this alpine world. In fact, Once there I wander this familiar landscape, often revisiting lakes, rocks, streams, and trees that I have visited many times before. As the evening wears on, I know that I should head back to my car before dark, but I am never able to leave quite soon enough, and I end up lingering through sunset and into early dusk, often ending up on the that ridge between me and the road as darkness comes on, and arriving at my car after dark.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

G Dan Mitchell Photography

Tag Archives: monochrome

Man in Blue, One Way Corner

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

Lamp, Shadow

Lake, Rocks, and Clouds

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.