Tag Archives: monochrome

Post and Grant, Night

san francisco, california, usa, urban, street, photography, night, post, grant, streets, corner, intersection, black and white, monochrome, people, sidewalk
Friday night at the corner of Post and Grant, San Francisco

Post and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Friday night at the corner of Post and Grant, San Francisco

This is (yet another) photograph from my fruitful nighttime wanderings in an area of urban San Francisco in late July, when I joined a small group of fellow photographers to do some night street photography. They started with dinner, but I arrived a bit late and finally met up with them between my starting point (near Union Square) and their location in North Beach. We first photographed in the less-touristy areas of Chinatown, then wandered into tourist central, the well-known Grant Avenue area, where we knew we would find people and interesting lighting.

Eventually we wandered on down beyond Chinatown and ended up in the Union Square vicinity, where the group began to split up — it was getting late, some had been photographing for many hours, and their cars were a distance away. I continued on down Grant a bit further, where I made this photograph at the intersection with Post Street. You might detect one or two odd compositional choices in this photograph — why is that car poking into the right side of the frame?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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At the Counter

At the Counter
A group of people at a coffee shop counter at night

At the Counter. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of people at a coffee shop counter at night

This is the first of a group of two more photographs I’ll post from a recent bit of street photography in San Francisco, done on a Friday evening when I joined a small group of other photographers to photograph mostly after dark in urban areas. This on perhaps indulges my inner Edward Hopper a bit — I’m often fascinated by business windows at night and the idea of looking in from the outside to see whatever world is inside.

The photograph was a quick “grab” as I walked past this coffee shop and noticed the group of four people at the window-facing counter, each doing something different and each apparently unaware of the others. (And, of course: these are the places we all sit when we stop in coffee shops alone, right?)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Pacific Ocean, Clouds

Pacific Ocean, Clouds
“Pacific Ocean, Clouds” — Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.