Tag Archives: monochrome

Summer Evening, Florence

Summer Evening, Florence
People out on a summer evening in the narrow streets of Florence, Italy

Summer Evening, Florence © Copyright 2019 G Dan Mitchell – all rights reserved.

People out on a summer evening in the narrow streets of Florence, Italy.

For some reason I seem to be in a “black and white” frame of mind this week. Part of this is attributable, no doubt, to ongoing work preparing prints for an exhibit opening next week at Stellar Gallery in Oakhurst, California (“Arms Wide Open: Black and White Photography”). I also recently wandered back into an archive of photographs from a visit to Italy a few years ago, and again took up a thread that included night photographs made in Florence.

So here you have a black and white night photograph from that Florence, made while walking about on a warm summer evening in that town. After spending a week in the Chianti region we ended up in Florence for a few days before flying home, and we spent the time walking the narrow streets of this town, from early morning until late at night. Here a small eatery extends into the narrow street and pedestrians wander along the narrow, curved walkway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Redwood Forest Plants

Redwood Forest Plants
New growth among the plants growing on the dark forest floor beneath redwood trees

Redwood Forest Plants. © Copyright 2019 G Dan Mitchell – all rights reserved.

New growth among the plants growing on the dark forest floor beneath redwood trees.

The gigantic trees are, obviously, a primary attraction in Northern California’s remarkable redwood forests. Having been brought up around them, I sometimes forget how unusual and striking they are. Two things remind me. One is when I see someone entering these forests for the first time, not quite believing what they are seeing. Another is when I leave the redwood forest and again see “normal” trees… which now seem very small! One advantage that comes with many years in the redwoods is that it becomes more possible to look away from the huge trees (though they are always in your thoughts) and take in smaller and things, and elements that are more subtle… like these delicate new leaves growing in the shadow of these trees.

As I worked on this photograph I thought about the process of photographing in the landscape. It can be a difficult thing to describe: What am I looking for? What causes me to stop and make a photograph? What is my state of mind when I’m working? Do I work slowly or quickly? (The answer to the last question is, “yes.”) But one thing is certain — the process is more about looking than about photographing. Those who have been with me in such places sometimes report being mildly annoyed by my slow, stop-and-start progress though the landscape. I’m constantly on the lookout for some subject, some light, some juxtaposition of shapes and forms. Most of the time when I spot something and stop… it turns out not to be worthy of a photograph. So I keep looking until I find “it,” whatever “it” is.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Paris Street, Midday Light

Paris Street, Midday Light
Two figures in midday along a street in Le Marais, Paris

Paris Street, Midday Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two figures in midday along a street in Le Marais, Paris.

Le Marais, in Paris, if full of visual delights. This area was “left behind” when much of central Paris was modernized, so you won’t find the wide boulevards and open views. Instead there are very narrow streets — often barely wide enough for a single vehicle, and that only because sidewalks are barely a foot or two wide. The buildings are old, often leaning at odd and interesting angles.

This photograph is a bit unusual in that I made it in full midday sun. I would most often not do a lot of photography at such a time of day, but I liked the stark quality of this light, and I thought that it could work as a black and white image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Intertwined Trunks

Intertwined Trunks
Tightly laced tree trunks, Southern Sierra Nevada

Intertwined Trunks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Tightly laced tree trunks, Southern Sierra Nevada.

This is an older photograph that has languished in my raw file archives for nearly a decade. Back in 2010 I was on a long Southern Sierra backcountry trip with a group of friends — roughly speaking we made a giant semi-circle around Mount Whitney, starting southeast of that peak and coming out over a week later at a point considerably north. A milestone on this trip was realizing — finally! — that re-climbing that iconic peak is less profitable than spending time in many other equally beautiful places in the Sierra. At several points on this trip we found ourselves in lonely, less-visited spots, and I treasure the trip for that reason. These trees were at one of our campsites, in a location essentially right at timberline.

Everyone’s work habits are unique, but for me it is important to periodically go back and look through older photographs that didn’t “go anywhere” at the time. I inevitably find images that are worth the second look. I’ve often pondered how and why this happens. Among my theories: perhaps I simply moved on to quickly to other projects at the time, possibly I didn’t really understand how to “see” the image, my interests and perspectives have changed. Regardless, this is one reason that I’m hesitant to delete a lot of raw files — all too often I’ve gone back and found something that I was glad I kept!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.