Tag Archives: monochrome

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Storm, Desert Ridges

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Sand Storm, Desert Ridges
The dust from a nearby sand storm obscures a series of ascending ridges.

Sand Storm, Desert Ridges. © Copyright 2019 G Dan Mitchell – all rights reserved.

The dust from a nearby sand storm obscures a series of ascending ridges..

On this afternoon I made quite a few photographs, and they range from a few with striking sunset and dusk colors to others that are almost devoid of details in the blowing sand and dust. Yes, it was a sand storm day, and that is precisely what drew us to this portion of the valley. High winds from the southwest were raking the sand dunes and raising giant, fast-moving clouds of sand and dust. They raced across the valley, traveling northeast toward the Amargosa Mountain range.

I made this photograph very close to the point where we entered the cloud of dust/sand. We had come up from a part of the valley further south, and as we got closer to the dunes and the source of the haze the dust began to obscure the sky and the view. We stopped here before entering the worse of the cloud and made a few photographs looking into it, with the tall mountains to the north nearly obscured

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clouds, Sand Storm, Desert Mountains

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Clouds, Sand Storm, Desert Mountains
Clouds from a weather front above sand storm in dessert mountains

Clouds, Sand Storm, Desert Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Clouds from a weather front above sand storm in dessert mountains.

At times during our early-April visit to Death Valley National Park we had some remarkable atmospheric conditions to work with. That was certainly the case on this evening, when we had a combination of low-angle sunlight (which became quite colorful right at sunset), a building sand storm that was filling the air above the Amargosa Range with thick dust, and a passing weather front that darkened the sky and dropped some light rain.

In this interpretation of the scene I chose to go with a black and white rendition. One reason is that, in some ways, monochrome interpretations actually allow more subjective flexibility with the scene. I think that black and white allows us to comfortably step a bit further away from the objective reality of the scene, since we start with something that is, by its monochromatic nature, emphatically not what we see in the real world. In this photograph I wanted to emphasize the powerful and monumental quality of the storm clouds above the masses of dust and sand covering the mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Sand Storm

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Dunes, Sand Storm
A sand storm sweeps across layered dunes

Dunes, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm sweeps across layered dunes.

Here I decided to offer a somewhat more subjective view of a sand dunes scene, photographed late in the day during a period of high winds and a sand storm. If you see this as a calm scene… imaging gale winds blowing across from left to right, carrying large volumes of airborne sand, and the distant views obscured by these clouds filling the atmosphere. It was a wild scene, and I was only able to photograph it for a short period of time.

I have long been intrigued by the question of what is “real” in photographs. Not only is the presentation of an objectively accurate rendering of the subject rarely the highest goal of a photograph, but it is virtually impossible for a photograph to do so. (I like to say, “All photographs lie.”) Some look to classic photography to support their belief that photographs must aspire to “realism”. However, if any mode of photography is amenable to subjective license, it is black and white photography! The ability to produce an expressively subjective image in black and white may be unsurpassed. In this photograph I “went there,” with an interpretation that aspires not to reproduce objective reality but one that hopes to evoke subjective truth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Receding Dunes

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Receding Dunes
A subjective interpretation of a scene of receding sand dunes.

Receding Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

A subjective interpretation of a scene of receding sand dunes.

Sand dunes are a compelling subject for just about every photographer I know, and almost certainly for every photographer who has visited them. They are a virtual laboratory of forms and textures and the interplay of light and shadow. While their colors can be quite subtle, the daily cycles of light write a continuous cycle of change on them between the morning and evening twilight hours. And they are adaptable to a wide range of interpretations — ostensibly “realistic” views, views that emphasize the naturally occurring (and sometimes not so naturally occurring!) colors, effects of wind, and the freedom of monochromatic interpretations.

One evening we decided to visit the dunes, and we planned to investigate a location I had spotted from a morning shoot — an area where a playa led to the edge of low dunes that built up one after another toward the center of the dunes. By the time we arrived I was becoming concerned that I might not be where I wanted to be during the best evening light, so I high-tailed it across the playa without stopping, heading straight for the area where I made this photograph. What appealed to me about the location was primarily this stair-step arrangement of gradually higher dunes, but also the fact that it was backed by distant back-lit mountains rather than by sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.