Tag Archives: morning

Tenaya Lake, First Light

Tenaya Lake, First Light
Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

Tenaya Lake, First Light. Yosemite National Park, California. July 15 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

I have long been intrigued by a certain patch of sunlight that descends the granite slopes above this Yosemite lake in the mornings, and I planned to photograph it again on this trip to the park. I was up early on the first morning and off to this location, but I quickly got distracted by low fog floating in a very large nearby meadow. Somewhere I have heard an old saying about not ignoring the photograph in front of you for the possibility of another photograph that [i]might[/i] (or might not) happen, and I followed that “rule” and stopped and photographed the fog as the sun rose. By the time I finished this it was well past dawn, and although I continued on to the location of this photograph, when I got there the early light had transitioned into something much less interesting.

A couple of mornings later I thought I would try again. This time I was up even earlier and resolved to not stop for any but the most astonishing distractions, and I made it here before the first light was on the granite slopes. In this case, since I had a specific photograph in mind (and a few others that I might also try afterwards), I went to the exact spot where I wanted to be, pulled out the lens I knew I would need, set up and waited for the light. My location is not exactly an isolated or inaccessible one, and later on this day (and every summer day!) there would be lots of people and vehicles here. But at dawn even a place like this provides almost complete silence and the sense of deep stillness and huge space that I love in these mountains. I marvel that so many go to the Sierra yet so few seek out this quiet stillness. Soon the first tough of light appeared high on the dome to the left above the lake as beams of light began to pass between the peaks to the right, and I photographed as the light gradually worked its way down toward the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hikers in the Badlands

Hikers in the Badlands
A group of hikers is dwarfed by arid badlands terrain near Zabriskie Point, Death Valley National Park

Hikers in the Badlands. Death Valley National Park, California. April 4, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

A group of hikers is dwarfed by arid badlands terrain near Zabriskie Point, Death Valley National Park

In the midst of all the recent Death Valley photographs, with this photograph I reached back into the archives to pull up an older image that had not previously made it out of the collection of raw files. Various things impel me to dig back into the older photographs to see what I’ve missed, and in this case it was a random visit to my website that I noted in my server log — someone had linked in to a photograph of some photographers in Death Valley from this 2007 trip. When I saw that I thought to go back and look at that particular photograph and update it just a bit, and then I got side-tracked and wandered off into that raw file collection.

I recall this photograph rather clearly. For some reason I had stopped at Zabriskie point on a morning that I probably expected to produce an exceptional sunrise — at least that’s my guess based on the kind of clouds in the photograph. If I recall correctly, the morning did produce some interesting soft light, but not the stunner that I thought might happen. (I rarely stop at Zabriskie, but I make an exception if the conditions look like they might produce something unexpected — but you never know until you actually go there before dawn and see what happens.) I remember looking down toward Gower Gulch and the trail to Golden Canyon and spotting this string of five hikers. It isn’t that unusual to see people on this trail, but they stuck close together as the wound along its twisting route, and I thought that this might produce some interesting photographs and reveal the scale of this landscape.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wash and Eroded Hills

Wash and Eroded Hills
Wash and Eroded Hills

Wash and Eroded Hills. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light shines on eroded hills and a desert wash.

This was the final morning of my spring photographic excursion to Death Valley. On the last day of these visits I always seem to follow the same general ritual — I get up well before dawn (of course!) and visit one final photography location very early, then go back and break camp before leaving the park and starting the long drove back to the San Francisco Bay Area. This means that I almost always pick a familiar “sure thing” location for the last morning, and one that is not too far from wherever I camped the night before. I rarely make this a spur-of-the-moment decision, instead typically deciding ahead of time where I’ll go — there isn’t a lot of time to waste on this final, long day. On this trip I headed back to a little area not far from a familiar Death Valley icon. (I would stop at that icon, but only if the conditions turned out to be spectacularly unusual — I certainly don’t need another photograph of it otherwise, as beautiful as it is.)

I turned off the main road onto the gravel side road, slowed to a crawl, parked and got out with camera gear in hand, and quickly settled into the quiet and stillness of this place in the moments before dawn. Even though I have been to this spot many times, I’m still surprised by how quiet it is and by how few others go here. Although I know specific locations that might offer reliable and predictable photographs, once I’m here I prefer to take my time and look for and at things that I had not previously noticed. At first — and it was the case on this morning — it seems like there is little special to see, and I may momentarily wonder if I’m going to be able to find photographs. But as I slow down and begin to see, I invariably find things that I would have missed if I had not given the place some time. This photograph was the result of spotting a little path up to a higher spot — the path itself intrigued me so I followed it, and I was happy to find that it overlooked this little bit of classic Death Valley geography.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunrise Haze, Panamint Mountains

Sunrise Haze, Panamint Mountains
Sunrise Haze, Panamint Mountains

Sunrise Haze, Panamint Mountains. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Haze from airborne dust above the crest of the Panamint Mountains at dawn

I suppose that I was the “victim” of a sort of natural April Fool’s joke on this April 1 morning. I woke up very early, thinking I might photograph from high along the spine of the Panamint Mountains east of Death Valley. I was on the road in the dark, and as I got closer to my goal and the light began to increase enough to see a bit I noticed that it was hazy — the sort of haze that I associate with dust storms in this part of the world. But there was no dust storm, at least not where I was — just a lot of stuff in the air. Since there were no clouds, I figured that I would get above it by the time I reached my goal at over 6000′ of elevation. I topped the final climb onto the ridge where I could look into Death Valley… and was greeted with haze so thick that it almost looked more like fog (almost an impossibility here), and the floor of the Valley was completely invisible.

Such conditions could be disappointing for someone looking for a “sunrise shot,” but I actually love unusual conditions, especially when they involve mist and haze and fog and clouds. I covered the short distance remaining to reach the end of the road, parked and unloaded camera gear, and looked around to try to figure out how to photograph in these unexpected circumstances. A few minutes later the sun rose thought the haze, and I made a few photographs. I decided that I would likely have to remain here a while and observe the landscape gradually become visible as light penetrated down to lower elevations and as the dust-filled atmosphere thinned a bit. I turned my attention away from the deep valley and towards the ridge leading away to the north, where the thin light illuminated a landscape of shadow and light gradually fading into the distance.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.