Tag Archives: morning

Ridges and Light

Ridges and Light
Morning light on curved ridges, Death Valley National Park.

Ridges and Light. © Copyright 2022.G Dan Mitchell.

Morning light on curved ridges, Death Valley National Park.

There are many ways to tell the story of a landscape. One approach is to go for the whole thing, the epic landscape, the big view, and to put everything in the frame. This can work, and it may produce impressive and powerful images of great scale. And, to be sure, Death Valley National Park’s landscape lends itself to this with its expansive vistas, immense mountains ranges, and other striking features.

Another way to say something about a landscape is to go in the opposite direction and let small “excerpts” from the larger scene present aspects of it. The more I photograph a place the more I trend in this direction. You’ll still find me looking at those big views, but more and more I look for small bits and pieces. The texture of these rounded ridges is found all over Death Valley and is usually eroded into some combination of gullies and small, smooth hills. Here the warm-colored early morning light is sweeping across these hills, contrasting with the cooler tones of the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light and Dark

Light and Dark
Highly contrasing geological formations in morning light, Death Valley National Park.

Light and Dark. © Copyright 2022.G Dan Mitchell.

Highly contrasing geological formations in morning light, Death Valley National Park.

To be honest, much of the Death Valley landscape, as remarkable as it is, tends to feature somewhat neutral tones and colors — many grays and tans and light browns. This is particularly true outside the early and late hours of the day, when warm light often intensifies the subtle colors of the terrain. This neutral quality is actually one of the virtues of the landscape in most cases, particularly in the way that lets light and shadow emerge as primary visual components.

But sometimes a bit more contrast in the landscape can be a good thing, so when I find it here I almost always look for ways to photograph it. This simple scene is a fine example. The early morning sun was just beginning to strike the white colored hill, lining its right flank with rim light. Meanwhile the background slope, composed of much darker material interrupted by lighter strata, was still in shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise Above the Badlands

Sunrise Above the Badlands
Sunrise on desert peaks works its toward badlands.

Sunrise Above the Badlands. © Copyright 2022.G Dan Mitchell.

Sunrise on desert peaks works its toward badlands.

There are some landscapes that stump me. Even after returning many times, often over a period of years, I still find it hard to “see” them photographically. While I don’t generally have that issue with Death Valley National Park as a whole, there are a few locations where this comes up, and at least a couple of them are relatively iconic places that are visited by the majority of the park’s visitors. My feeling about both of them has long been… interesting places, but not my thing photographically. In the back of my mind, in both cases, I wonder if it is more that I still need to just figure out how to see them.

A chance comment that a friend made about one of these two locations recently stuck in my mind and I kept thinking about it on my January visit to the park. On the last morning of this trip I went to one of these place and poked around a bit. Perhaps surprisingly, this photograph includes a feature of the landscape where I have stopped in the past, looked, and kept going. This time, however, I went ahead and set up and then made a few photographs as the early morning sun was striking the high peaks to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Ridges, Morning Haze II

Desert Ridges, Morning Haze II
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze II. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

While the light of the very early morning and the very late afternoon is the most obviously appealing, there are ways to photograph at almost any time of the day. Because the distances in the Death Valley landscape are often so immense, there is almost always some amount of haze in the air. Not only does it obscure distant features, but it also shifts the color balance toward blue. In all honestly, sometimes this doesn’t make for the most appealing landscape photography, especially when distant features are included. But it is also possible to make the blue haze your friend, especially where it can enhance the sense of distance and scale.

I had finished up my sunrise photography at a different location on this morning of my early 2022 visit to Death Valley. My daily routine is usually to bet up very early — well before sunrise — and head to a first location, arriving well before the good light appears. You may have noticed that I didn’t mention things like coffee. Or breakfast. I usually skip them and get right to work. Later, after finishing with that first subject of the day, it would be easy to give in to the call of breakfast, but I usually continue on to a second location that holds some promise in later light. So on this morning I headed up into the hills to find a spot with a broad, long-distance view. From here I photographed across rows of intervening ridges as the haze gradually hid the landscape details to the point that haze and light and land merged in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.