Tag Archives: morning

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Nevada

Amargosa Sky, Morning

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Amargosa Sky, Morning
Early morning sky above Amargosa Valley and the Amargosa Range mountains.

Amargosa Sky, Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning sky above Amargosa Valley and the Amargosa Range mountains.

Although this photograph is from eight years ago, I recall this morning as if it were last week. One day during my annual spring sojourn in Death Valley I decided to get up early and drive out of the park to the east, passing though the triangle of the park that extends into Nevada to get to one of the many ghost town sites in this region. The place gets a fair number of visitors — to the extent that it has more recently been fenced off to protect it — but on this morning I was just about the only person there.

Although I was there mainly to photograph the decaying structures, the remnants of this town sit on the edge of a vast expanse of open desert landscape. This view looks across the wide Amargosa River Valley toward the Amargosa Range that runs along a good part of the eastern boundary of the park. The light was stunning just after sunrise, and thin clouds were visible for a while until stronger light made them less visible as the sun rose higher.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Eroded Strata

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Eroded Strata
Colorful eroded desert strata, Death Valley.

Eroded Strata. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful eroded desert strata, Death Valley.

Yes, I am still working the morning light on these beautiful eroded formations from Death Valley. (For anyone not already in the loop, I have posted quite a few photographs from this area recently.) The area is remarkable for the diversity of its formations — mostly water-eroded hills but also, here and there, a few rockier structures. The colors make it special, though. In most light they are quite subtle, but at the early and late edges of the day, when the color of the light is warmer, the colors are easier to see.

Timing was the trick for this photograph. I wanted the warm colors of the earliest possible light, but a hill behind my position blocked the light until the sun had risen just a bit. Perhaps you can still make out just a bit of the shadow remnant across positions of the bottom of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sky, Mountains, and Wash

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Sky, Mountains, and Wash
A dry wash, barren mountians, and morning desert sky.

Sky, Mountains, and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, barren mountians, and morning desert sky.

One of the things I always think about in desert landscapes is water. Not for the reason your are probably thinking — that it is because there is no water or that I’m thirsty because it is hot and dry. In fact, the reason is that evidence of water is almost everywhere in these dry places. This is one of the great ironies of desert terrain — it is so affected by the power of water and that effect is more visible because the landscape is barren and dry.

Consider this scene. There is almost nothing in it that doesn’t reflect the power of water. The foreground wash, while dry at the time of the photograph, is covered with patterns created by flowing water. Beyond, the low hills are smoothed by water and incised with gullies made by flowing water. Although those far mountains rose because of forces that are not directly about water, the shapes of the peaks and ridges are the result of, yet again, water. And in the sky we have clouds — more water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

StRata, Morning Light

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Stata, Morning Light
Early morning light on eroded strata with contrasting colors, Death Valley National Park.

Strata, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light on eroded strata with contrasting colors, Death Valley National Park.

This photograph is an example of the transitory nature of light — and how this factor puts the lie to the notion that landscape photography is something always done slowly, at leisure. That is sometimes possible, but more often the most interesting light is fleeting, there only for an instant and sometimes passing its peak before you realize it. Here the layers of colorful strata are in a small canyon, and the light is blocked early in the morning by hills on the other side, behind the camera position. Once the light does arrive, the shadows move down the landscape quickly, and the interval when the light is ideal is brief.

This photograph is also an example of finding balance between an “objective capture” of the scene, a photographic representation of “what it looked like to me,” and something extreme or even fantastical. You have perhaps seen other photographs of these colorful strata, with shades of red, yellow, blue, green and more. Such colors are striking, but they are often quite subtle. In flat or harsh light they are less intense than what you see here. Even in great light and with the kinds of post-processing that I do, the colors are still not exactly intense. I think this subtlety is part of the beauty of these features, and this is lost when the photographer pushes things too far.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.