Tag Archives: morning

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California, Photographs: Textures

Eroded Formations, Zabriskie Point

April 20, 2010 G Dan Mitchell Leave a comment

A small dry wash runs past folded patterns of eroded hills in morning light at Zabriskie Point, Death Valley National Park, California.

This is another in my “up close and personal” sequence of photographs of details of the geology at Zabriskie Point. Zabriskie is undeniably an incredibly beautiful spot, but after photographing “the view” a number of times my attention was drawn to some of the smaller details of the surrounding terrain. While I’ll still shoot the famous view(s) from this location when conditions are special, I now spend more time using a long lens to pick out small elements of the scene – and there are a lot of them to work with!

On this morning the light was, at times, very special. When I made this photograph the typical sidelight from the early sun was diffused and filtered by some high clouds in the east, and this soft light is different than what I’ve seen here before – it seems to me to have a subtle glow.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 150mm
ISO 200, f/14, 1/40 second

keywords: zabriskie, point, gower, gulch, wash, folds, eroded, hills, formations, crack, earth, desert, barren, morning, light, sand, gravel, tan, brown, death valley, national, park, california, usa, north america, detail, landscape, nature, stock, geology, scenic, travel, dry, hill, gully

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley Dunes, Morning

April 11, 2010 G Dan Mitchell 2 Comments

Black and white photograph of the Death Valley Dunes in early morning light.

This photograph was made on a late-March morning when I had wandered out around the west end of Death Valley Dunes, near Stovepipe Wells, and entered them from close to the back side. I often approach the dunes this way in the morning since it means crossing much less deep sand and because fewer people tend to go this way. (The latter seems to be even more true now that the NPS has installed and “official” parking lot – with restrooms! – along the road near where most folks traditionally stopped to make their direct approach to the tallest dunes.)

I was in an area of lower dunes mostly shooting nearby sand textures and the long shadows cast by hills and plants in the very early light. However, it is hard to ignore the amazing curves and textures of the dunes as they rise towards the east, especially when they are side-lit like this. So I spent a few minutes pointing the long lens int that direction. When I made the photographs I was sort of disappointed that I couldn’t keep the footprints in the bright foreground sand out of the image, but in retrospect I think that they actually improve the photograph.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 400mm
ISO 200, f/11, 1/40 second

keywords: death valley, national, park, california, usa, north america, nature, scenic, travel, landscape, dunes, sand, mesquite, folds, shadow, light, pattern, hill, peak, foot, prints, mountain, morning, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Eroded Terrain Near Natural Bridge Canyon

April 10, 2010 G Dan Mitchell 2 Comments

Rugged and eroded terrain near the entrance to Natural Bridge Canyon in morning light at Death Valley National Park, California.

Natural Bridge Canyon is located at the foot of the Amargosa Range Black Hills just a short distance north of the popular Badwater area. As is typical of many of the canyon entrances in Death Valley, the approach is by leaving the main road paralleling the edge of the Valley and driving up a large alluvial fan on a gravel road towards the hills. The road ends and the canyon quickly narrows.

This photograph was made along this gravel approach road and shows a bit of the fan in the foreground, the cliffs alongside the was in the middle distance, and beyond that the convoluted and colorful strata of the lower section of the mountain range, here with low-angle back light from the morning sun coming from the other side of the mountains. This photograph also shows something that I found remarkable on this visit, namely the incredible profusion of plant life that was coming to live in the wake of some unusually heavy rain fall earlier in the season. During normal years and during most of the year even in wet years you’ll see almost no green at all on terrain like this aside from a few small and isolated bushes. But on this late-March visit there was plant life springing up everywhere. When I looked closely I could find a fringe of green almost everywhere. Here, not only is there obvious growth in the gravel of the wash at the bottom of the frame, but there is a fringe of green along the edges of the cliff and even in the far distance on the higher slopes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 73mm
ISO 200, f/13, 1/40 second

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Moving Rock, Overcast Morning Sky – Racetrack Playa

April 4, 2010 G Dan Mitchell 4 Comments

A “moving rock” beneath overcast morning skies at the Racetrack Playa, Death Valley.

First a bit of background about “the Racetrack,” the location of the famous “moving rocks” in Death Valley National Park. About 25 miles out in the desert back-country of the park on a very bad gravel road there is an isolated and desolate playa known as “the Racetrack.” (For those considering a visit, getting to the Racetrack is no trivial matter. The drive takes nearly two hours one-way and the road is awful, with some of the worst wash-board surface I’ve ever encountered. There are absolutely no services along the road or at the Racetrack – no water is available and your cell phone won’t work.) The name of the place comes, in some circuitous way, from the mysterious rocks that have clearly traveled across the playa, sometimes many hundreds of yards, and left tracks gouged into the playa surface. The most likely explanation for the phenomenon involves a combination of a periodically flooded playa, extremely high winds, and rare occasions when it is cold enough to freeze the surface of collected water, locking the rocks in place and allowing the wind to move them. I’ve never heard anything concrete about the frequency of this alignment of conditions, but as far as I know no one has ever observed the rocks actually moving, nor is there any indication that they have moved recently.

I’ve been out there three times in the past, and had great conditions for doing photography. On this visit I had plans to photograph in sunset and sunrise light and to attempt night photography of the rocks under the full moon. (I did the latter once before, but was less familiar than I am now with how to best do this with a DSLR.) Since I’ve had such good luck with weather and lighting conditions in the past, I suppose I was due for less than optimum conditions… and that is what I encountered. Shortly after arriving at the playa the sky was covered by high, thin clouds. Except for a brief moment close to sunset this made late day photography difficult. The overcast stuck around until I left then next morning, making the planned full moon night photography an impossibility, and the morning light was also challenging.

That said, I’m still glad I went. Standing in the middle of this empty playa completely alone as the day ends or begins is an amazing experience that few people get to have. And I did manage to bring back a few photographs that I think will “work.” This one was shot fairly early in the morning at what might have been around sunrise, if a sunrise had actually occurred.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L at 17mm
ISO 200, f/16, 1/8 second

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.