Tag Archives: Mountain

Lake, Rocks, and Clouds

Lake, Rocks, and Clouds
Evening clouds reflected in the surface of an alpine lake with a cluster of rocks

Lake, Rocks, and Clouds. Yosemite National Park, California. July 2, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Evening clouds reflected in the surface of an alpine lake with a cluster of rocks

I recently revisited this older photograph, one that I had shared in a color rendition in the past, and this time I felt like I wanted to see it in monochrome. This is a sort of scene probably familiar to anyone who has spent much time in the high country of the Sierra Nevada, that region where lakes, large sub-alpine meadows, sparse trees, and surrounding peaks come together to produce a landscape like no other.

This is a lake I visit frequently, typically several times each season. I visit it for several reasons, ranging from practical to aesthetic. The lake is not too far from roadways, and it is common that I find that I have enough time available on a late afternoon to park my car, load up my pack, and do the short but steep hike up and over a nearby ridge to get to this alpine world. In fact, it is one of the places where I can arrive at that world rather quickly. Once there I tend to explore the familiar landscape, often revisiting lakes, rocks, streams, and trees that I have visited many times before. As the evening wears on, I know that I should head back to my car before dark, but I am never able to leave quite quickly enough, and I end up lingering through sunset and into early dusk, often ending up on the that ridge between me and the road as darkness comes on, and arriving at my car after dark.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Range, Reflection

Panamint Range, Reflection
The east face of the Panamint Range is reflected in the surface of a desert pool

Panamint Range, Reflection. Death Valley National Park, California. April 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The east face of the Panamint Range is reflected in the surface of a desert pool

This is a photograph of one of those surprising features of Death Valley — water in the middle of a place that is astonishingly arid. This location is one of the lowest, hottest, and driest places in the Valley, and beyond this pool is a terrain that is particularly inhospitable, the famous salt flats. It is not pleasant to venture out there on a hot and sunny day, when not only is the heat oppressive but the light is so intense on the white playa surface that it is almost impossible to look.

I went here quite early one morning, in time for the sunrise light across the Valley on the mountains of the Panamint Range. In many ways this was not a hugely promising morning. I would have preferred some interesting clouds, though the thing high clouds are not completely uninteresting. It might have been nice to have white salt flats, but the playa had apparently gone so long without rain and had experience enough wind that the sometimes-white salt was quite gray. This little pool, at the edge of the Valley and the base of the tall and rugged hills, mirrored the early morning sky and a bit of the dawn color on the mountains.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes and Mountains

Dunes and Mountains
Low dunes and the base of Tucki Mountain in evening light

Dunes and Mountains. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low dunes and the base of Tucki Mountain in evening light

This is a different interpretation of a photograph that I have previously posted. Here I have simply tried a different crop, one that eliminates some areas of from the top and bottom of the earlier photograph in order to focus more on the horizontal sweep of the shallow dunes and the more distant wash sloping up to the base of gigantic Tucki Mountain, here in nearly the last light of the evening.

I think that when we are in this place, one of the most iconic in Death Valley National Park, our attention is more likely to be drawn to the tallest dunes, which are located more or less behind me at this camera position. But there is much else to see here, ranging from the intimate landscape of ripple sand and small plants to the rugged slopes of Tucki Mountain just to the south, and including the many long views across the huge spaces of the valley. Here I had been mostly photographing an expanse of dunes leading off toward the northeast, when I turned around to see this view of the edge of the sand, with low dunes curving toward the sparse plant life at their edge.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes and Mountains, Last Light

Dunes and Mountains, Last Light
Dunes and Mountains, Last Light

Dunes and Mountains, Last Light. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The last rays of evening sun on the lower slopes of the Amargosa Range above Death Valley sand dunes

I walked out into these low dunes, as I often do, an hour or so before sunset. It had been a hazy day, with the remnants of two days of dust storms muting the light and colors a bit, and the haze continued on into the early evening. At this time of day it often first seems like there is plenty of time to photograph — the light is changing, but the changes are still so slow that it takes many minutes to notice them. I looked up and judged the angle of the sun above the mountain tops to the west, and five minutes later when I looked again the change was hardly perceptible. I continued to follow a path through the dunes that was almost entirely the result of seeing things to photograph, photographing them, seeing other things, and moving on.

Shortly before the sun drops behind the ridge, the light begins to change quickly. As the last warm-colored light slants across dunes, their textures are highlighted and subtle colors begin to appear. I’m often struck by how silent the change is — it almost seems that the sound should change, too, but the transition happens quietly and with incredible speed. When I sense it is about to start I pick a spot and a subject and simply try to watch closely enough to time things right. I picked this composition for several reasons. It entirely excluded any living things, leaving only sand and mountains. The patterns caught the light in interesting ways, and created a sea of subtle color and tonal variations as the last direct light gradually worked its way up the face of the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.